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If you're chute doesn't open, change it for a harp! A passable WWII movie boosted by star casting and a grand finale. Plot essentially is about some Allied agents planning to infiltrate the Nazis' secretive rocket factory in Holland and destroy their deadly V rockets. Much of the pic is given to character forming and painting political, army and human passion based groundwork. Unfortunately the narrative often sags and has some uneven patches that can take one out of the story line. On the plus side the finale is worth waiting for, full of suspense and heroics, while the espionage angle holds interest throughout. 6/10
Engaging war-thriller doesn't always hit on all cylinders but the finale was suspense-filled and I do appreciate how the filmmakers handled the deaths, not at all sensationalized. No real standout performances but the cast did a fine job, though a bit surprising to see Sophie Loren got top-billing but only in it for maybe 15-minutes. **3.5/5**
There is something a little bit reminiscent of "The Adventures of Tartu" (1943) about this film. The Nazis are using ever increasingly effective missiles to bombard South East England and when the boffins discover their new, portable, V1 and V2 rockets then a team is assembled to go into the heart of the Reich to carry out some dangerous sabotage. George Peppard, Jeremy Kemp and Tom Courtenay are the three despatched and these characters alongside an interestingly, but effectively, cast Anthony Quayle as their Nazi antagonist work well building a sense of peril as they set about their tasks. It's a little bit cluttered by a bit of a contrived sub-plot with Sophia Loren, but for the most part it is an efficient drama that has just about every British actor you can shake a stick at appearing somewhere - John Mills; Trevor Howard; Richard Johnson; Richard Todd et al. Of course it uses a little cinematic licence - Peppard's German accent (via Detroit) is a bit of a stretch at times - but it's still an engaging piece of wartime adventure cinema with quite an exciting climax.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
A touching story of an Italian book seller of Jewish ancestry who lives in his own little fairy tale. His creative and happy life would come to an abrupt halt when his entire family is deported to a concentration camp during World War II. While locked up he tries to convince his son that the whole thing is just a game.
The Roth family leads a quiet life in a small village in the German Alps during the early 1930s. After the Nazis come to power, the family is divided and Martin Breitner, a family friend, is caught up in the turmoil.
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
A group of German boys are ordered to protect a small bridge in their home village during the waning months of the second world war. Truckloads of defeated, cynical Wehrmacht soldiers flee the approaching American troops, but the boys, full of enthusiasm for the "blood and honor" Nazi ideology, stay to defend the useless bridge. The film is based on a West German anti-war novel of the same name, written by Gregor Dorfmeister.
12 American military prisoners in World War II are ordered to infiltrate a well-guarded enemy château and kill the Nazi officers vacationing there. The soldiers, most of whom are facing death sentences for a variety of violent crimes, agree to the mission and the possible commuting of their sentences.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)