Auf die, die noch existieren

Kristen, a troubled young woman, is captured by the police after burning down a farmhouse and is locked in the North Bend Psychiatric Hospital. Soon, she begins to suspect that the place has a dark secret at its core and she's determined to find out what it is.

In 2010, director Michiel van Erp started filming a group of children in Utrecht. He kept filming them till 2018, the year they turned 18. The film portrays those moments which were crucial for the development and personal growth of the kids.

For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.

In this tale of small town intrigue, an urbanite returns to his quiet hometown on an impromptu trip as his Uncle, widely respected in town, struggles to evade suspicion of a murder.

Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen-year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.

Teta Kaabour is an 83-year old family matriarch and sharp-witted queen bee of an old Beiruti quarter. She’s been gripped as of late by the silence of her once-buzzing household where she raised children and grandchildren. Resigned to Argileh smoking and day-long coffee drinking on a now-empty balcony, Teta now invokes the deepest memories of her violinist husband who died twenty years ago. She claims a preparedness to re-unite with him.

Is it possible to look into the future? Does mind over matter really exist? What is true about psychic healing? Is remote viewing real? Where is the boundary between real magical powers and fraud? Find out what scientists have to say.

The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.

The Infernal follows the paranormal events that Oscar, a University graduate, experiences upon moving into a new household with his friends. But are the events that occur at Hollowmere House truly paranormal, or are his housemates playing some twisted games?

Taking the demise of a textile factory in Austria’s Waldviertel region as its starting point, with the antiquated manufacturing plant initially shown in full operation, this film poses the question of what work means for people’s self-image and character. After the factory goes bankrupt and closes, the filmmaker accompanies some of its employees as they continue to make their way, questioning them about their daily routines, the circumstances in which they live, about looking for work or the new jobs they find. One woman’s situation is precarious, but that doesn’t prevent her from bringing up her grandchildren. Another woman works here and there, flexible and resourceful. One man blossoms visibly in his newly unemployed state. Bit by bit, different aspects of their private lives and personal misfortunes emerge.

Marianne and Jacques are a young middle-class couple who live in a chic Parisian apartment with their two young children. One day, Marianne receives an unexpected visit from two strangers, Mr and Mrs Worms, who claim to have lived in the apartment when they were children and who ask if they can just take a look around their former home. Marianne agrees, but no sooner have the mysterious Worms left than things take an inexplicable turn for the worse...