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Belleville Bedlam. Dark Waters is directed by André De Toth and collectively written by Marian B. Cockrell, Joan Harrison, Arthur Horman, John Huston and Francis M. Cockrell. It stars Merle Oberon, Franchot Tone, Thomas Mitchell, Fay Bainter, Elisha Cook Jr., John Qualen and Rex Ingram. Music is by Miklós Rózsa and cinematography by John J. Mescall and Archie Stout. After recovering from a traumatic boat incident that saw her parents killed, Leslie Calvin (Oberon) travels to the bayous of Louisiana to stay with her next of kin. But upon arrival it quickly becomes evident that nothing is as it seems... In 1944 Merle Oberon made two horror movies that very much relied on atmosphere and film noir visuality over any great semblance of psychological evaluation. With the far superior The Lodger rightly moving into classic territory as it boasted Laird Cregar, John Brahm and Lucien Ballard operating out of the top draw, Dark Waters, with its modest production values and second tier work force, feels like a B movie appetiser to Brahm's movie. Yet in spite of some overkill in the screenplay, there is much to enjoy here for the Gothic noir horror fan. Dark Waters is a fascinating thriller movie, it may play its hand far too early, and it really does, but the reverse plot device of having the lady protagonist be mentally troubled at the outset - only to have her grow in mental stability as the narrative unfolds - adds a non conformist kink to the picture. De Toth and his cinematographers fill the production with a feverish like dream state that picks away at the conscious, where although the woman in peril angle is slowly drawn out, the rewards are there to be had for those who like to see the visual surroundings mirror the mental health of the central character. The resolution, as was so often the case in olde classic movies trying to make mental health a viable issue, is cheap in the context of medicinal recovery. To that end it's a little frustrating viewing it these days to know that all we needed was some handsome/pretty cohort to get us through trauma! Yet in 1944 film makers were still trying to get to grips with a horror that didn't involve some monstrous creature moving through the landscape. There are many things wrong with Dark Waters when viewing it now, but if you can accept it as a 1944 movie and embrace it for its visual touches (and the makers do not disappoint with shadowy and spooky atmospherics), then it's a movie well worth taking an interest in. Besides which! Elisha Cook is in there being a shifty weasel, what more do you want in some Louisiana swamp based Gothic noir picture... 7/10
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
A mathematical genius discovers a link between numbers and reality, and thus believes he can predict the future.
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, California. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Having met on a train, a smooth-talking psychotic socialite shares his theory on how two complete strangers can get away with murder to an amateur tennis player — a theory he plans to test out.
Horace Vendig always gets what he wants. Even as a poor youth, he charmed his way into high society by getting the father of his friend, Martha, to foot the bill for his Harvard education. When Vic, another childhood pal, is invited to Horace's mansion for a party, he brings along Mallory Flagg, who happens to bear a striking resemblance to Martha. As Vic and Horace reunite, old resentments rise to the surface.
A crime novelist receives a vital clue to the whereabouts of his long-missing fiancée.
Former war-time Army buddies now students in college decide to rip off a Reno casino.
An escaped convict gets a hold of some radioactive material after his escape. Authorities desperately try to find the man that unknowingly is threating the lives of everyone in the city.
Long before he became producer/director of The Tonight Show, Fred DeCordova helmed the Universal meller Illegal Entry. Howard Duff, who later worked with DeCordova on the TV series Mr. Adams and Eve, stars as Bert Powers, an undercover agent for the U.S. Department of Immigration. While attempting to bring a vicious gang of alien smugglers to justice, Powers falls in love with Anna Duvak (Marta Toren), a gang member who is Not What She Seems.
After leaving the British Secret Service, David Somers (played by Trevor Howard) finds work cataloging butterflies at the country house of Nicholas and Jess Fenton. After the murder of a local gamekeeper, suspicion (wrongfully) falls on their niece, Sophie Malraux (Jean Simmons). Somers helps Sophie to escape arrest and they go on the run together. After a cross-country chase they arrive at a coastal city with the intention of leaving the country by ship. All's well that ends well after the true identity of the murderer is revealed.