Do You Own the Dancefloor?

A music professor is fired from his job for not knowing enough about modern "swing" music. He goes to Chicago to learn more about the subject in hopes of getting his job back, but he winds up getting mixed up with gangsters.

A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.

Two zanies get mixed up with a Southern colonel, his beautiful daughters, a nightclub and a haunted mansion.

Ole and Chic are comedians employed in a nightclub, but seeking to be released from their contracts to take a better job. But the prissy nightclub owner, B. J. Wagonhorn, refuses to let them go. In reprisal, they start hurling insults at the nightclub patrons… a ploy that soon has them facing multiple lawsuits… to the delight of three struggling attorneys, Charlie Rodman, Bettty Wilson and Arthur Lane.

Carmelita Fuentes is a fiery-Latin singer/dancer in Mexico City who has designs on Dennis Lindsay, an American publicity agent, for unclear reasons, while Lindsay's shiftless uncle Matthew Lindsay aids and abets her every step of the way to the marriage altar.

Jane Frazee made her starring film debut in the Republic B-plus musical Melody and Moonlight. The plot is motivated by the show-biz aspirations of bellboy Danny O'Brien (Johnny Downs). With the help of a wealthy chiropodist (Jerry Colonna), O'Brien not only gets to star on a big-time radio show, but also sprinkles stardust upon his sweetheart Kay Barnett (Jane Frazee)-who, unbeknownst to everyone but the audience, is the daughter of the show's sponsor.

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

Ted Howard, a vaudevillian left, stranded in a tank town. A local girl, Mary (Sally O'Neil), proposes to finance a new act with her savings and the team succeeds in a minor way until Ted is discovered by Broadway femme fatale Valeska (Carmel Myers). Not wishing to stand in her partner's way, Mary nobly resigns from the act and instead accepts a minor role in the show. She proves a sensation on opening night, however, and a jealous Valeska demands her ousted. But Ted, who is in love with Mary, reorganizes their old act and they begin a new life together as man and wife.

This new Christmas ballet film was conceived by Matthew Bourne and directed by his long standing film collaborator Ross MacGibbon. The film celebrates Bourne's power to imaginatively transform ballet, taking dance and dancers off the stage into studio, bringing together projections, animation, and an intimate shooting style to produce a distinctive new way of presenting dance on screen. Those who know Bourne's stage work will spot extracts from many of his biggest hits (including Swan Lake, Edward Scissorhands, and Nutcracker!), but for audiences less familiar with his work this is simply a journey through a series of magical worlds where stories are told through dance.

Two couples work through their issues in this backstage Broadway musical.

Rose Marie, aged five or six, sings three numbers, "Heigh Ho, Everybody, Heigh Ho", "Who Wouldn't Be Jealous of You", and "Don't Be Like That". She's animated throughout, acting as well as singing.