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**Brave and authentic** What does cinema mean to you? To me it means emotions and stories, told with moving images, with music and with words. And, in my opinion, for cinema to be at its greatest it needs to brave and vulnerable. Center of My World is exactly that: brave and vulnerable. And intimate. And true. Its is the story of Phil, a standard teenager, who is just a little gayer than the rest. But him being gay is really not an important part of the story. He struggles with his family, with deeply hidden secrets of the past and their effects in the present, which may break his family apart. And he falls in love for the first time. That's really it. And while watching this in the cinema some people laughed at the film. Because it shows how love is, unironically and over-the-top. It dives deep into Phil's emotions and shows us not only the center of his world, but maybe even the center of THE world (hence the original German title "The Center of the World"). And most people can not let themselves dive into these depths. And if you want to experience this small gem of a movie, you have to make yourself vulnerable, too. Leave your irony at home, just watch this movie as you are - naked and vulnerable. Then you may see what cinema can do, what cinema is for.
Two brothers, Fernando and Pablo, enjoy a playful relationship. One night, their usual games take a different path, becoming something real and completely unknown.
Alma, a twelve-year-old girl, is in love with her best girlfriend. In the midst of her sexual awakening, she will experience new sensations that will also bring along disappointment.
After years in hiding and struggling to control his demons, an eccentric drifter returns home and discovers that his childhood abuser, the center of his pain, is still alive.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
In the wake of her grandma’s death, a precocious teenager embarks on a road trip to James Dean’s hometown with her older brother and filmmaker neighbor.
David’s friend from college comes to visit him in LA, but his flight back to China has been canceled due to the pandemic. During the time they live together, David has a secret that he doesn’t know whether or not he should tell.
Quadruplet siblings (two boys and two girls) played by Vice Ganda were separated after birth when their grandmother steals two of the siblings (a boy and a girl) away from their mother. The stolen siblings lived a comfortable life in the US, not knowing that their mother and siblings, a gay and a lesbian, struggled to make ends meet in the Philippines. When the boy develops hepatitis that requires him to have a liver transplant from a compatible donor, their father tells them about their siblings in the Philippines, who may be possible candidates as donors. But once the siblings finally meet, pent up resentment and animosity between the girl and the gay siblings, has threatened the chances of the boy sibling's survival.
