Green Day: Heart Like a Hand Grenade

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

Green Day performs their entire American Idiot album in front of a mostly small and intimate live audience, and tell stories about their music, writing experiences and memories. Filmed in Culver City, California.

Disease is Punishment is a live DVD featuring songs from The Network's first album Money Money 2020. The project, directed by John Roecker, with visuals & music videos directed/produced by Roy Miles of AntiDivision, was conceptualized to be a more a film than a concert DVD, as evidenced by the collages in between songs. The bulk of the material in the film was recorded live at The Key Club in Los Angeles on November 22, 2003, with many post-production shots mixed in with the live clips. The title itself, "Disease is Punishment," could be a very obscure reference to the band Devo, who the Network is heavily influenced by.

In this 23-minute documentary interview clips from the album's entire recording lineup — Brian Johnson, Angus Young, Malcolm Young, Cliff Williams and Phil Rudd — collectively recall the crossroads the band was at following the tragic death of Bon Scott in February of 1980. Brian Johnson was officially named the new singer of AC/DC on April 1, 1980 and the group quickly got to work with returning producer Mutt Lange, who was at the helm of the group's previous record, Highway to Hell. Ultimately, Back in Black was a tribute to AC/DC's late singer, with the black album cover serving as a memorial.

Interview without filters, Paul Arcand questions the 76-year-old performer on the sidelines of the release of her autobiography "Ginette" and her most recent album, "C'est tout moi".

A detailed look at the Doolittle Raid, and the final official public reunion of the surviving Raiders.

SET 1: Everything's Right, Back on the Train, Wolfman's Brother, Maze, Leaves, Life Saving Gun, Dirt, Carini SET 2: Sand > Tweezer -> My Friend, My Friend > Mike's Song > Lifeboy, Weekapaug Groove, Blaze On > Fluffhead ENCORE: Farmhouse[1], Run Like an Antelope [1] Began and ended with Trey on acoustic guitar.

Despite the increasing number of people entering the field of documentary filmmaking, historical subjects are less popular due to limited materials and the difficulty in handling them. Hu Jie has chosen to stay in this field and work hard. "I know that shooting these historical subjects is very dangerous, so how can you ask others to do it? It can only be their choice after they have seen your work." Since 2014, due to health reasons, Hu Jie has not been actively making documentaries. This year, in response to an invitation from the Lung Ying-tai Cultural Foundation, he still provided the film "A Sidelight of the 1968 Up to the Mountains and Down to the Countryside Movement." Over the past three years, he has primarily engaged in printmaking, producing about 70 to 80 pieces, in addition to many small print bookplates.

An insight into the life and works of Michel Foucault and how his work on Knowledge and Power still has an impact on daily life. This is applied practically to the real world of SOAS University and the online world of Social Media. Presented by Merle Tschirschnitz, Kiran Thomas and Adam Brocklesby

A short featurette on the making of Parasite.