The State of Marriage

Jojo, a 17-year-old girl from Bangkok, is about to graduate from high school. After her friend Q reveals a secret to her, the two girls grow close and spend all their time together. Jojo's father wholeheartedly approves of the friendship and is just glad that Jojo is not going on any dates with boys.

Described in the 70’s as "A Chorus Line for gay people," Crimes Against Nature remains vital today as a communal disclosure of roles that gay people adopt in order to survive in a world that devalues homosexual feelings. It features individual actors delivering revealing monologues, during which the other members of the collective play background roles (parents, schoolmates, etc.). One by one, the actors detail the ways in which they have buried their true selves in order to survive and be accepted in the world: repression, drug use, shyness, being agreeable, putting experiences into "little boxes," acting "butch," and so on.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.

Spotlighting the art of drag, and centered on the New York staple Wigstock, this documentary showcases the personalities and performances that inform the ways we understand queerness, art and identity today.

Seizing her power as she confronts her mortality, trailblazing trans activist Connie Norman evolves as an irrepressible, challenging and soulful voice for the AIDS and queer communities of early 90's Los Angeles.

It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.

Equatorial Guinea became independent 51 years ago from Spain. This African country lives under one of the longest-lived dictatorships in the world, Teodoro Obiang, a military man trained in Zaragoza. His regime strongly represses all freedoms, including sexual ones. Franco Spanish laws are still in force in the country, such as the «public scandal». It is not possible to protest on the street and the only LGTB organization in the country has not been able to legalize itself. In addition, the country’s Parliament is studying hardening the current penal code. To denounce the situation, the group «We are part of the world» has collected the voices of the community in a documentary that pays tribute to Fidel Lemoy, one of its best-known faces, who disappeared last year.

At America's elite MIT, a Ghanaian alum follows four African students as they strive to graduate and become agents of change for their home countries Nigeria, Rwanda, Tanzania, and Zimbabwe. Over an intimate, nearly decade-long journey, all must decide how much of America to absorb, how much of Africa to hold on to, and how to reconcile teenage ideals with the truths they discover about the world and themselves.

The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.