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Pretty damn funny given the incredibly grim subject matter, but that's not a shock when you take into consideration that _Three Billboards Outside Ebbing, Missouri_ is directed by Martin McDonagh, who once again comes away with a win, which makes him, in my opinion at least, three for three as a director. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Phenomenal film. Loved every second. I've been aware of this film, in name only (didn't know any of the plot etc.), since it came out and have always had a great feeling about it - I just had an inkling it would be great. It isn't, it's much more than that... it's incredible. The mix between the humour and seriousness is superb, I found myself laughing aloud one moment and then feeling saddened minutes later; that was the case a ridiculous amount of times throughout the 115 minutes. The premise is pretty mad and filled with coincidences, but I absolutely adore the way it is written and put together onscreen. The cinematography is also beautiful, as is the score. The pacing is fantastic too. All that is without even mentioning the cast, who are outstanding. What a terrific performance from Frances McDormand, who I always remember from 1998's 'Madeline' - one of the first films I recall watching at a young age. She's utterly brilliant as Mildred, from the first scene to the last. Her co-stars are also top notch, so well cast. Woody Harrelson (Willoughby) and Sam Rockwell (Dixon) are great in their respective roles, while my personal GOT king Peter Dinklage (James) also appears in a minor part. I liked Caleb Landry Jones (Red), also. 'Three Billboards Outside Ebbing, Missouri' is a must-watch!
It was one of the better movies I've seen in that it plays on nostalgia and not nostalgia to a bygone decade, but more nostalgia for the old story driven indie and quasi-indie films that ruled the 1990s. Back in the day "Pulp Fiction" could win Academy Awards and tiny no budget movies like "Clerks" and "Reservoir Dogs" could gain cult followings and make long and successful careers out of their writer-directors. "Three Billboards" has all of that, the story based on characters and situations not based on political rhetoric and special effects. You get the sense, when you watch it, that they wanted to tell a story and that was all that mattered to them. There was a story to tell and everyone came together to tell it in the best way that they could...so it was moving, and it was funny, and it was dramatic, and it was oddly dark and oddly heartwarming. You walk away feeling that you've seen a movie, and you have. That's exactly what this is, an actual movie. It's not special effects strung together on the backs of weak characters playing out a plot that has been rebooted several times...it's an actual movie that tells an actual story. It's original. It's worth watching. It deserved everything that came its way at the rewards and more. It's the kind of movie that we need to see more of and its the kind of movie that I dearly miss seeing. Give it a watch, you won't see a movie like it again, and that, I feel, is time well spent.
A young medical student travels to Berlin to investigate the apparent death of his brother and discovers a secret life of espionage, betrayal and murder at the highest levels.
The story of two childhood friends who have grown apart and are suddenly thrust back into each others lives when a parent develops cancer. They join forces to find the cure but soon realize their lives are danger if they expose the truth.
Margaret Jarnette discovers that her husband Victor has been cheating on her and confronts him. Outraged, Victor has his lawyer rewrite his will so that in the event of his death, his brother Richard will get custody of his daughter Muriel, and his wife won't. When Victor dies shortly afterward, Richard suspects that Margaret had murdered him and takes custody of Muriel. However, he soon begins to suspect that things may not be quite as cut-and-dried as he thought they were.
Sophia, a new high school student, tries to make friends with Barbara, who tells her that “she kills giants,” protecting this way her hometown and its inhabitants, who do not understand her strange behavior.
A private investigator helps a former flame solve the murder of her wealthy grandfather, who lived in a sprawling estate surrounded by his idiosyncratic family.
A rookie cop in Thailand must solve the brutal rape and murder of a woman. The crime seems somehow linked to a celebration held for a government official in the isolated town of Prompiram.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime syndicates.
Master burglar Max Hopper is released early after three years and soon gets an exceptional job: stealing an advanced computer-chip from the IQ Industries headquarters. His first attempt fails; when he enters in cop uniform during an emergency board meeting, a fire quickly spreads- he considers it a godsend opportunity and stays, but soon has his hands too full saving other lives and just surviving to concentrate on the chip; only the owner, his wife who just filed for divorce and a few employees remain, but it soon turns out one of them stole company secrets but the arsonist and/or another chip-thieves are among them.
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
Programming prodigy and information activist Aaron Swartz achieved groundbreaking work in social justice and political organizing. His passion for open access ensnared him in a legal nightmare that ended with the taking of his own life at the age of 26.