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Casualty - (Jan 18th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
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Pretty damn funny given the incredibly grim subject matter, but that's not a shock when you take into consideration that _Three Billboards Outside Ebbing, Missouri_ is directed by Martin McDonagh, who once again comes away with a win, which makes him, in my opinion at least, three for three as a director. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Phenomenal film. Loved every second. I've been aware of this film, in name only (didn't know any of the plot etc.), since it came out and have always had a great feeling about it - I just had an inkling it would be great. It isn't, it's much more than that... it's incredible. The mix between the humour and seriousness is superb, I found myself laughing aloud one moment and then feeling saddened minutes later; that was the case a ridiculous amount of times throughout the 115 minutes. The premise is pretty mad and filled with coincidences, but I absolutely adore the way it is written and put together onscreen. The cinematography is also beautiful, as is the score. The pacing is fantastic too. All that is without even mentioning the cast, who are outstanding. What a terrific performance from Frances McDormand, who I always remember from 1998's 'Madeline' - one of the first films I recall watching at a young age. She's utterly brilliant as Mildred, from the first scene to the last. Her co-stars are also top notch, so well cast. Woody Harrelson (Willoughby) and Sam Rockwell (Dixon) are great in their respective roles, while my personal GOT king Peter Dinklage (James) also appears in a minor part. I liked Caleb Landry Jones (Red), also. 'Three Billboards Outside Ebbing, Missouri' is a must-watch!
It was one of the better movies I've seen in that it plays on nostalgia and not nostalgia to a bygone decade, but more nostalgia for the old story driven indie and quasi-indie films that ruled the 1990s. Back in the day "Pulp Fiction" could win Academy Awards and tiny no budget movies like "Clerks" and "Reservoir Dogs" could gain cult followings and make long and successful careers out of their writer-directors. "Three Billboards" has all of that, the story based on characters and situations not based on political rhetoric and special effects. You get the sense, when you watch it, that they wanted to tell a story and that was all that mattered to them. There was a story to tell and everyone came together to tell it in the best way that they could...so it was moving, and it was funny, and it was dramatic, and it was oddly dark and oddly heartwarming. You walk away feeling that you've seen a movie, and you have. That's exactly what this is, an actual movie. It's not special effects strung together on the backs of weak characters playing out a plot that has been rebooted several times...it's an actual movie that tells an actual story. It's original. It's worth watching. It deserved everything that came its way at the rewards and more. It's the kind of movie that we need to see more of and its the kind of movie that I dearly miss seeing. Give it a watch, you won't see a movie like it again, and that, I feel, is time well spent.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, California. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.