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Pretty damn funny given the incredibly grim subject matter, but that's not a shock when you take into consideration that _Three Billboards Outside Ebbing, Missouri_ is directed by Martin McDonagh, who once again comes away with a win, which makes him, in my opinion at least, three for three as a director. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Phenomenal film. Loved every second. I've been aware of this film, in name only (didn't know any of the plot etc.), since it came out and have always had a great feeling about it - I just had an inkling it would be great. It isn't, it's much more than that... it's incredible. The mix between the humour and seriousness is superb, I found myself laughing aloud one moment and then feeling saddened minutes later; that was the case a ridiculous amount of times throughout the 115 minutes. The premise is pretty mad and filled with coincidences, but I absolutely adore the way it is written and put together onscreen. The cinematography is also beautiful, as is the score. The pacing is fantastic too. All that is without even mentioning the cast, who are outstanding. What a terrific performance from Frances McDormand, who I always remember from 1998's 'Madeline' - one of the first films I recall watching at a young age. She's utterly brilliant as Mildred, from the first scene to the last. Her co-stars are also top notch, so well cast. Woody Harrelson (Willoughby) and Sam Rockwell (Dixon) are great in their respective roles, while my personal GOT king Peter Dinklage (James) also appears in a minor part. I liked Caleb Landry Jones (Red), also. 'Three Billboards Outside Ebbing, Missouri' is a must-watch!
It was one of the better movies I've seen in that it plays on nostalgia and not nostalgia to a bygone decade, but more nostalgia for the old story driven indie and quasi-indie films that ruled the 1990s. Back in the day "Pulp Fiction" could win Academy Awards and tiny no budget movies like "Clerks" and "Reservoir Dogs" could gain cult followings and make long and successful careers out of their writer-directors. "Three Billboards" has all of that, the story based on characters and situations not based on political rhetoric and special effects. You get the sense, when you watch it, that they wanted to tell a story and that was all that mattered to them. There was a story to tell and everyone came together to tell it in the best way that they could...so it was moving, and it was funny, and it was dramatic, and it was oddly dark and oddly heartwarming. You walk away feeling that you've seen a movie, and you have. That's exactly what this is, an actual movie. It's not special effects strung together on the backs of weak characters playing out a plot that has been rebooted several times...it's an actual movie that tells an actual story. It's original. It's worth watching. It deserved everything that came its way at the rewards and more. It's the kind of movie that we need to see more of and its the kind of movie that I dearly miss seeing. Give it a watch, you won't see a movie like it again, and that, I feel, is time well spent.
Two owners of an escort service attempt to untangle the mystery when a man who just signed up for their service turns out to be the husband of a female client who was just murdered.
As a child, the brutal murder of her family made Alexis regain her hearing along with synesthetic abilities. Now as an adult, she finds solace in the sounds of bodily harm. But when she’s told she might lose her hearing again, she escalates her gruesome sound experiments in a quest to compose her masterpiece.
Frank spends his summer days hopelessly searching for companionship at a popular cruising spot on the shores of a lake in rural France. One day, he meets Michel, an attractive yet darkly mysterious man and falls blindly in love.
After some personal trauma, Wilson Walmsley is invited to work as a substitute teacher in a suburban public high school. He finds lack of authority and interest in the school direction and teacher body; uncontrolled and abusive students in an environment of disrespect and lack of discipline. He becomes close to the arts teacher Louise and to the smart and abused student Joey. When he saves Louise from a sexual assault of the student Davey, Louise and him are sued by Davey's family lawyer; then Davey's girlfriend beats Louise. The upset Walmsley lures, drugs and kidnaps Joey and six troublemakers of his class and brings them to his isolate real estate in Alpine, Texas. When the seven students wake up, they are naked and caged in cages with electric fences. When Walmsley arrives, he advises that his class will begin, and any disrespect or lack of discipline will be duly punished, and shots Joey to make clear his intentions. And the class begins.
A carload of teenagers wants to buy some liquor, but the clerk at the liquor store won't sell them any because they're underage. They stop a pedestrian outside the store and ask if he'll buy them liquor. He proceeds to tell them a story about some teenagers he knew who drank and drove, and the consequences they suffered.
Amy Newhouse must now fight the biggest battle of her life - cancer. Her open heart to the people of her school now sparks a passionate rally from the community. However, this passion dwindles as her cancer metastasizes. Her cancer seems to miraculously disappear, but just as it seems the community has prevailed and the battle won, Amy discovers that the deadly disease has returned and is incurable. Amy's prayers for healing continue, but with the seemingly dried-up support of her community, and an apparent "no" from God, she dies from the one battle she cannot win. However, with her death comes life and redemption of Pampa High, as her club grows exponentially, redeeming the school of the once-rampant violence, drugs, and alcohol that she so passionately fought against, and proving to all doubters that God has a "Greater Yes" after all. Written by Anonymous
Accompanied by his old manservant, scholar Sung Li Ho (Hong Hoi) is on his way to the capital for the imperial exam. They spend a night in the house of Mrs. Yuan and Li Ho takes a fancy to her pretty daughter, Pei Fang (Dana). Li Ho is discovered by a maid peeping at Pei Fang as she takes a bath. He slips and falls into the bathtub, creating a most embarrassing situation. His old servant is also implicated and both are beaten up before being thrown out. Continuing their journey in the desolate countryside, they come across woodcutter Hsi Hsueh Kuei who puts them up for the night. Captivated by the beauty of the owner’s two daughters, who are vampires, he spends a night with them and turns into a skeleton. Chased by the vampires, Shun Lai makes a narrow escape.
When the quiet life of a beach bum is upended by dreadful news, he sets off for his childhood home to carry out an act of vengeance. However, he proves an inept assassin and finds himself in a brutal fight to protect his estranged family.
Heli must try and protect his young family when his 12-year-old sister inadvertently involves them in the brutal drug world. He must battle against the drug cartel that have been angered as well as the corrupt police force.
Dolly Havens, a small-town girl with big-town ambitions that are larger than her talents, hooks up with Johnny Storm, a vaudeville performer, whose talents make the act a success. Dolly, thinking she is the reason, meets a handsome leading man and joins up with him but, before long, he discovers 'she ain't a trouper' and she is soon performing with 4th-class acts in Tank Town America