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> A chain of events involving a family. Just a month ago I saw 'Maigret Sets a Trap', and this is another terrific BBC film. Based on the JB Priestley's play of the same name made for television. I never saw other versions nor I knew the story, so that's the reason I loved it. I don't know the difference, the changes between this and the original material, but I think a screenplay like this should have been a big screen product. Surely one of the best films of the year with a great suspense and twists. I expected a crime solving drama, like a detective use his brainpower to nab a suspect in a style, but this was complete an unexpected narration with various angles of briefing involving a family and their individual link to a woman. This is a story about the chain of events that could happen for us in real life. But what this film's specialty is that makes realise for its characters that how their part influenced a woman's life. It's the year 1912, during a wealthy Birling family celebrating their daughter's engagement, a mysterious inspector interrupts them to question on a woman who committed suicide on that evening. In the hours long interview, some unexpected truth comes out and corners the family from their celebration. With the outcome of a surprise encounter with the inspector, how the family outcome from it is what the rest of the film was focused on. > "We don't live alone upon this earth. We are responsible for each other." I don't know the most of the actors, but their performances were simply outstanding. Not just leaned on one or two, but everyone had their turn fairly equal. The character played by David Thewlis as Goole was effortless, but very important among others in the film, so it is impossible moving away without praising his contribution. Among all, the young woman role as well very impressive. Alongside JB Priestley, this screenwriter, as well as the director must be appreciated for their incredible job. The film was a one night based narration, but due to the quick flashbacks, the layers formed, hence creates a lot of curiosity for the viewers. Being a detective film, it had those special moments, but with its own style. It reminds me a couple of films, but I can't name them, because of the spoiler alert. Even though this is a very unique from its similar films. Obviously it leaves many questions regarding the last 10-15 minutes of the film. But the reasons are very clear, and you might get it in the second viewing, or maybe from the discussion boards on the online platforms. I strongly suggest that you to learn more about it on its hidden stuffs rather simply finished watching it and forgetting it forever. Like always, the BBC did not disappoint me or maybe I always chose the better ones. Either way I benefited and I recommend this for those who are interested in murder mysteries, though it is not a homicide theme. I hope you will love it as I did. 8.5/10
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.
A rare book dealer finds himself at the heart of a string of paranormal events when he is hired to find the last two copies of a text, The Nine Gates of the Kingdom of Shadows, capable of summoning the Devil.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
The film follows Kamala, a young woman from Chitkul village and her girl child Manya, who embarks on a journey leaving their native land in search for her missing husband. Along this journey she encounters Nawazudin, a free spirited army deserter who helps them to get to their destination with his own selfish motive.
During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.
