Thank You for Bombing

Maria is a girl in her early teens whose family lives in an upscale gated suburb. Maria's parents are going out of town for a week, and rather than leave her with relatives or hire a babysitter, Maria is put in charge of looking after her little sister Sofia, with housekeeper Esther serving as a nominal adult authority figure, though for the most part she lets Maria and the others do what they please. With only their parents bedroom off-limits, Maria and Sofia have the run of the house, and soon they and their friends Facundo, Quique, Rodrigo and Timmy are spending their days exploring the place. As the kids begin creating their own rules to run counter to the ones their absent parents set down, Esther brings a young relative, Fernando, to play with them, and the privileged kids begin to get a notion of the ways of the outside world.

A fiercely active Communard, Louise Michel is condemned for taking arms against Bismarck. Along with thousands of other revolutionaries, she is deported to New Caledonia, whilst, back in Paris, a young parliamentarian Georges Clemenceau campaigns for a truce with the Communards. During her exile, Louise Michel becomes a teacher and wins the admiration of the other deportees, inspiring them to rise up against the colonial order…

Lily and her three youngest children join her husband David Sutton, a doctor in an isolated northern Alberta town. Their eleven-year-old son arrives later from boarding school. David conceals a dark secret which caused the family to leave England without telling anybody. They befriend a neighbor Rosanne, who throws out her boyfriend after he beats her up in a bar. Lily, who is very English and out of place in the town, hires the half-Native Rosanne as a housekeeper, and eventually the two women become good friends, until the secret emerges again.

A story of homecoming from late 1970s, when 10 year old Vicky arrives at his grandparents home in rural Kerala to attend his grandfather's funeral. The disjointed family gathers together for the sixteen day long funeral period. During this period, Vicky discovers more about himself, his family and culture than he had expected to. The journey is narrated through the memories of an adult Vicky who returns to the same house to recount the experience.

At 18, fresh from high school, Marina, Ignacio, Adam and Mimi, school mates bonded by fate, shared a dream about adult life, a dream of fame, success, perfect skin and that one endless, true love that, surely, was waiting just around the corner for each one of them. But 30's arrived, and none of the sweet promises of youth was fulfilled. Alone, failed and frustrated, all four are forced to stop and look around to try to understand where it all went wrong, and find an emergency fix for their lives, before it's too late, and happiness escapes through their fingers forever. Secondary Effects is the bitter coming of age comedy that follows their steps in the search for lost dreams, lost hair and good sex, at least, if true love turns out to be a mirage.

A poignant drama about a Danish family's unbearable loss and total disintegration, but above all about the faith and hope that miraculously gives them the superhuman strength not to give up.

The story of the end of a friendship between two teenage girls, told backwards over the course of nine months.

In the heart of the Danube Delta, superstition and religion are mixed together, like the earth and water that make up the mysterious mud from Tekir’s area, not far away. Chased away from her village because of her mysterious pregnancy, Mara finds herself employed at the Europa Hotel, providing treatment for infertile women using this miraculous mud. As she meets the rich and eccentric Mrs. Lili, Mara questions her beliefs and intuitions. The relationship between the two women is the key of the miracle of Tekir, between magic and power, tradition and modernity.

Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions

On his return from America, András simply cannot find his place: he has lost his wife, friends and job, and he cannot even find his way back to his former great love. Eventually, as a surrogate father, he takes in a wild young girl (Zsuzsa Czinkóczi) and a particularly strong bond is formed between these two rootless people. Márta Mészáros’s remarkable movie starring Jan Nowicki and Anna Karina is about displacement, loneliness and attachment.