Lady Lessons

The most beautiful man in the world, who, sick of being objectified, devises a plan to free himself of other's attention.

Azusa (Anna Ishii) and Narumi (Fuka Koshiba) are 2nd grade high school students. They lack confidence and also any kind of ambitions. Hazuki (Karin Ono), Tamaki (Mika Akizuki) and Mika (Miku Uehara) are also unnoticed students at the same high school. These five girls form a dance club and begin to dance to get credits. They soon learn the joys of dancing and also learn to express themselves.

In this surreal thriller, mysterious blond Marie March takes a journey to the town of Darckeville to scam a priceless set of antiques from an eccentric collector, but also to get away from the clutches of her overbearing older husband. On the freight train to Darckeville, fevered sensual dreams and dark childhood memories crowd her troubled mind - portentous omens of an unresolved past hurrying to catch up with her. Set against a backdrop of fading dreams, broken aspirations, and the crumbling ruins of a decaying town coloured with strange characters, their separate paths collide with explosive results.

Their value is far greater then the precious rare commodity they are shackled to produce. What price will be paid for such treasures?

A man who suspects his wife is cheating on him begins having nightmarish visions of an evil presence that he believes inhabits his house.

Five friends set out to a cabin in the woods for a fun weekend getaway that is, until extraterrestrial visitors turn it into a fight for their lives. The group is pulled from their reverie when a flickering object crashes deep in the woods. As they investigate, the friends stumble across an alien spacecraft, and its inhabitants have not arrived in peace.

German sex comedy

Follows a group of five teens heading off to a cabin for a "romantic" weekend. They are hunted down by The Lashman for being unruly teens and disturbing his peace.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

María and Susana, two rebellious teenagers, spend the summer in a catholic camp. While they are grounded during a weekend, the most unexpected arrival in the most unexpected way will change their feelings about life, love and freedom.