Bihagin: Bilibid Boys

It is a supernatural melodrama of a woman's misfortune and suffering interwoven with the legend of the Pasig. The legend itself is inspired by the immortal kundiman of the director's brother, Nicanor Abelardo.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.

A Vietnam vet who specializes in freeing POWs goes behind enemy lines on a rescue mission with a group of mercenaries.

An American woman hopes to have a happy reunion with her long-lost Filipino father and finds instead an aloof and unforgiving stranger who hasn't gotten over the painful past.

The film is about the lives of simple folk caught between the crossfire of Kapitana accused of political patronage, and Patrol Kalikasan using the environment as a front for their own political and economic interests on the small mining community.

A happy marriage goes wrong when the husband is accused of raping his stepdaughter who eventually died. The wife, feeling hopeless from the courts, takes justice into her own hands.

Estela, an idealistic, call center slacker is mentored by Trevor, a pragmatic, senior agent. Their interaction develops into an unconventional relationship that would challenge their most personal convictions.

Two warring chefs and their restaurants are threatened by the 3-month deadline imposed to them by Don Manolo to vacate their place for it will be sold to a condominium developer.

Based on an actual case, Fatima Buen Story mixes tabloid sensationalism with paranormal symbolism and features O’ Hara’s trademark qualities: sudden violence and heroic love against a background of cinematic magic.

In the picturesque island of Cuyo, Palawan, an illegal Taiwanese fishing vessel docks carrying the fisherman named Muo Sei, a man looking for something or someone with the name Ploning. He has from sunrise to sundown to look for this "Ploning".

It shows the colorful life of the departed mayor of Tanauan City told in the point of view of Soriano who had an in-depth interview with the slain politician.