A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
The UnBelievable with Dan Aykroyd - (Jan 18th)
The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
**The supernatural 'eye in the sky'.** From the directors of 'A Cat in Paris', but this film set in New York City that narrates the story of a boy with an extraordinary power. If you had liked that film, you probably would like it as well, but a little lesser. Except this is not about the art of theft, but a cop trying to catch a most dangerous criminal. It is so weird to see the New York turned into kind of a province of France as everybody in this speak French, but expected it as it's a French film. A very interesting storyline. The characters were well designed and developed. But most of the film was focused on the boy, the cop and the main villain with a dog's perspective. There's a little part of a reporter as well. So I think it should have been called 'A Dog in New York', but the dog is on the wrong side where the most of the story was narrated from. The theme was not fresh, but the way they used to tell the tale makes all the difference. I mean you can compare it to 'If I Stay' kind of plenty of other films. Except it turned into a crime-thriller. A young boy named Leo, who is hospitalised for the serious illness, has a special power to leave his body and take an invisible form, and come back again safely within some time frame. On the other side an honest cop trying to hunt down a criminal who is threatening the peace of the city gets a backlash after met with an accident. Now the cop and the boy join the hands to thwart the villain's latest attempt to bring disruption. The mission was not planned well, so how they fight the crime and its result brings to an end to the film. > "I'm not hungry. It's a shame because my dad's pasta is the best in the world." This is a PG film, that means it's aimed for all the ages. But particularly for the grown ups, there's nothing much to enjoy other than cool presentation. That does not mean for all the grown ups. The sketches and the animation technics were same as the previous film. They tried to reach bigger audience worldwide from the success of their previous film, but seems not achieved that goal. As the film had many great features like the characters and the story, they have fallen short to surpass as an overall film. Even anytime I would pick 'A Cat in Paris' over this, but that does not make this one's a bad film. It kind of looks like the supernatural version of 'Eye in the Sky'. I'm not talking about the actual film, but the concept of drones to watch over the criminal activity. In here the boy acts as the main communication device. He who one day wants to be a cop, helps to solve the crime. I think the end should have been a little better. Especially from the boy's perspective about how his tale ends were very intentional. Perhaps a bit of emotions at the end would have given a better result. I advertise the 2D animations too much on my blog whenever I review them, because they are rapidly fading away art. So my big thanks to those production houses and the filmmakers who still believe in it. If you are an animation film fan, you will enjoy it, no matter you loved it or not at the end. In a simple way to say, it is a fine film for the families with kids aged ten or under. It might look like a typical detective film, but entertaining with a few good moments. So check it out if you get a chance to access it. _7/10_
A fable about the human condition in which two people are confronted with their limtations and the opportunities available to them in life. Film without words.
New York police are bemused by reports of a giant flying lizard that has been spotted around the rooftops of New York, until the lizard starts to eat people. An out-of-work ex-con is the only person who knows the location of the monster's nest and is determined to turn the knowledge to his advantage, but will his gamble pay off or will he end up as lizard food?
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan—a young boy—via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
Bob Parr has given up his superhero days to log in time as an insurance adjuster and raise his three children with his formerly heroic wife in suburbia. But when he receives a mysterious assignment, it's time to get back into costume.
A group of unwitting teens are stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.
Thad Beaumont is the author of a highly successful series of violent pulp thrillers written under the pseudonym of ‘George Stark’, but when he decides to ‘kill-off’ his alter-ego in a mock ceremony, it precipitates a string of sadistic murders matching those in his pulp novels, which are soon discovered to be the work of Stark himself. Looking like a maniacal version of his counterpart, Stark is not so willing to quit the writing game – even if it means coming after Thad's wife and their baby.