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**Letting it go.** This is like the US version of 'Gabrielle'. About a young woman with Asperger syndrome, trying to date, despite mixed support from her family. This is a cool film. One of the best of its kind. Because this is not the first to explore on such theme. Yeah, they all kind of look the same, but in a different scenario with different syndromes that I even did not know its existence. An unusual romance-drama that focused on as what the director says, 'everyone is worthy of love'. The Jane who has just turned 25, still living with her parents and overprotected by her sister. A big fan of classic romance films and now she decided to take control of her own life. Her interest in having a boyfriend is a good sign for her family, particularly her parents who are moving away. But her sister comes as a big obstacle, especially when she finally found someone interested in her. Which leads to fight back, and how her efforts pays off that comes in the remaining parts. > ❝I've been so focused on the person you were that I wasn't seeing the person you've become.❞ An indie film, a crowd funded film. A wonderful screenplay and the direction. There were no blank spaces, they all filled with the fine events. Even I liked the pace and the length of the film. But I liked the casting very much. That's the best happened to it. The title role, Jane was awesomely played the actress. Like the saying 'every dog has its day', this was her spotlight and she shined like a rainbow on the summer. Her sister role as well by Eliza Dushku was great, so the remaining cast. You know most of the story, but how it progresses on its own style was the key to its success. This is not just about Asperger syndrome, but like any family who have had a hard time letting it go after coming to realise their position. It was not exactly a romance film you would expect. Because romance was the least focused part, except the initiation for the rest film, which was built on that platform. With the influence of romance, the story takes off from there till the last. One of the year's best and a must see independent film. The target audience is the families, but very much suitable for all ages. There's no way it could have been better. Only if some other filmmakers, film productions attempted it, they would have altered to their style of filmmaking. Otherwise the core of the theme remains the same. With the least known actors and the crew, this is not some film, but a fine film, an appreciable effort. This is an under-noticed film, as well as underrated. It needs your uplift, so don't turn it down. _8/10_
The Purple Dawn is a 1923 American silent romantic drama film that was produced, written, and directed by Charles R. Seeling. Starring Bessie Love, Bert Sprotte, and William E. Aldrich. The film is presumed lost.
When overworked lawyer Diana’s (Margo Harshman) uncle, Hugh, passes away she’s called back to his vineyard to settle his estate. Hugh has left half of his Golden Range Winery & Vineyard to Diana and half to Seth (Steve Talley), his right hand man and Diana’s ex-boyfriend. Hugh’s final request is that the two work the next harvest together, set to begin in a few weeks. Neither is happy at the arrangement but they begrudgingly agree. Furthermore, neighboring competitor Grant Garritson (Jack Wagner) threatens to drive a wedge into Diana and Seth’s already shaky relationship. They have a short window to figure it all out so that they both get what they ultimately want.
Sometimes, Ily is a short film about love and heartbreak. About the intensity of falling in love and the collapse of a couple, and above all, about the inevitable anguish of seeing your closest person become a complete stranger.
A short vacation should let the 17-year-old, deaf-mute Veronika forget the death of her beloved father, so the plan of her mother Christina. The place of recreation, however, is not chosen happily, due to lack of money: Gut Vorwald in the Sauerland region belongs to the mature nobleman Benno von Caldern, to whom Christina once pledged herself in her youth before meeting her future husband and renouncing Benno. Under the golden roof of autumnal oak crowns, the feelings of the past return, not without dramatic consequences.
After her aunts death, young Miriam gets a position with the Allnes family. They have a son, Hans. Miriam and Hans fall in love. But the Hans mother is jealous and disapprove.
During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.
A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.
After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.
Arnaud, facing an uncertain future and a dearth of choices in a small French coastal town, meets and falls for the apocalyptic-minded Madeleine, who joins an army boot camp to learn military and survival skills to prepare for the upcoming environmental collapse. Intrigued and excited by Madeleine’s wild ideas, Arnaud signs up for the boot camp himself. They soon realize that the boot camp is harder than they’d imagined, but the experience nonetheless cements them together as the couple continues to explore their young love.
Young-seok, who feels overwhelmed and lonely in what should be his glorious youth, meets a woman who introduces herself as Josée, and they share a once-in-a-lifetime romance.
After the sudden death of one of them a group of friends grieves trough sexual encounters.
