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Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.
Rizwan Khan, a Muslim from the Borivali section of Mumbai, has Asperger's syndrome. He marries a Hindu single mother, Mandira, in San Francisco. After 9/11, Rizwan is detained by authorities at LAX who treat him as a terrorist because of his condition and his race.
Claudio, a womanizer, contracts AIDS due to his promiscuous lifestyle, and, in the hospital, he meets Mauricio, a homosexual Evangelist who is also infected and will discover Jesus to Claudio.
Second chances start when a hardened criminal crosses paths with a precocious little girl who is helped by an angel to change hearts during the holiday season.
Handsomely-mounted historical epic concerns the birth of the Islamic faith and the story of the Prophet Muhammad.
When Madea shows up for her 50th class reunion, you know it’s going to be a whopper! Between the belly laughs and the soulful songs are life lessons. Thanks to Madea’s wisdom, the message is clear: Learn to forgive and begin with yourself.
When a violent act kills her parents, Sita vows to debunk the idea of supernatural torment after death — a fixation that leads her on a dark quest.
A newly ordained minister accepts a summer job with a dynamic TV evangelist only to find deep conflicts between the latter's conventional activities servicing his community's spiritual needs and his power wielded as a TV celebrity.
Religious fanatics are barricaded in a building and surrounded by police. But they're not going to surrender; they prefer to die.
A sex and drug addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction", where instead he is faced with the truth in his heart and spirit.
This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.