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I Dream in Another Language is ambitious but uneven. It has good ideas, but struggles with the execution. It’s visually flawless, which is a good thing if we subscribe to the theory that a picture is worth a thousand words, but it can also be seen as a triumph of style over substance, especially in a film that’s supposed to be about words – both said and unsaid. And yet, I can’t help liking it, because director Ernesto Contreras and screenwriter Carlos Contreras show a sincere love of language and communication, even if they, somewhat ironically, don’t know quite how to express it. It’s almost as if something was lost in the translation from dream to reality. The movie revolves around a fictitious indigenous language called Zikril. There are other plot points, but this is the most interesting one, though in the end it doesn’t amount to much more than a missed opportunity. I caught exactly two words of Zikril; the rest is nothing but a lot of mumbling – and the problem is not the sound or the actors; as a native speaker, I can assure that the Spanish dialogue comes through loud and clear. Furthermore, we don't learn a lot about the culture that originally gave rise to Zikril, apart from some mythology about how it came into being, as well as learning about the afterlife where its speakers go when they die: a physical place on the mountain called “El Encanto”, to which they apparently ascend, like the Virgin into the heavens, bodily and not just in spirit (the movie is firmly planted in the tradition of magical realism, and is in particular reminiscent of Alejo Carpentier’s novel Los Pasos Perdidos, which it emulates but does not equal). What the film, shot deep in the Veracruzan jungle, does very well, however, is what Werner Herzog calls the ‘voodoo of location.’ All things considered, I Dream in Another Language is intriguing enough to hold the viewer's interest throughout its 103-minute running time, but perhaps the filmmakers should have resorted to some already existing, but still obscure, language, instead of half-assing an entirely new one.
Screenwriter Kyung-ju and private academy instructor Minjae have been married for 5 years. One day, one plate in a pair goes missing, and Kyung-ju thinks Minjae is to blame. But when Kyung-ju asks if he’s broken the plate and thrown it away, Minjae argues there was only one to start with.
Night, national road. Two strangers meet for the first time at an old gas station. One has stopped to gas up his bike, while the other is just stranded. Lacking the 22 euros he needs to get home, he will try to sell him the distance that separates them from the sky.
Gabriel, a 24-year-old anthropologist from a wealthy family from the interior of the Northeast, is gay and in the closet. Following the death of his grandmother, he decides to go to Rio de Janeiro to study the lives of sex workers. Seduced by his object of study, Gabriel will become one of them.
Two lonely people notice each other. A yearning so big it might destroy me. It has always been there and always will be. Walk, walk up that hill. Climb, climb up that train.
A snowboarder, whose career was interrupted by an injury, meets a determined pianist who inspires him to pursue his Olympic dreams.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Ex-swimmer Kōhei, facing divorce, meets aspiring animator Yūtaka in Tokyo’s gay district. Their fiery attraction deepens amid emotional highs and lows.
A moving comedy-drama about the love, identity and courage of the LGBTQ community during the first walk towards Gay Pride in 1950s England. Based on the real-life events of Yorkshire coal miners and secret gay lovers, Tommy and Eddy, who spend their annual week holiday at a quirky B & B in Blackpool, along with a few other alternative members of society – the transgender Mr. Elbridge, the ex-show girl Red Ethel and the eccentric owner Gladys and her flirty daughter Maureen.
Adam and Marklin’s 5-year relationship has gone from a passionate flame to a simmer, forcing them to reconcile with each other’s shortcomings while their friends endlessly search for love in New York City.
A posthumous look at the last days of Guenther's life as he, his best friend, and his sister let loose on a four-day binge of alcohol, drugs, and sex.
