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I Dream in Another Language is ambitious but uneven. It has good ideas, but struggles with the execution. It’s visually flawless, which is a good thing if we subscribe to the theory that a picture is worth a thousand words, but it can also be seen as a triumph of style over substance, especially in a film that’s supposed to be about words – both said and unsaid. And yet, I can’t help liking it, because director Ernesto Contreras and screenwriter Carlos Contreras show a sincere love of language and communication, even if they, somewhat ironically, don’t know quite how to express it. It’s almost as if something was lost in the translation from dream to reality. The movie revolves around a fictitious indigenous language called Zikril. There are other plot points, but this is the most interesting one, though in the end it doesn’t amount to much more than a missed opportunity. I caught exactly two words of Zikril; the rest is nothing but a lot of mumbling – and the problem is not the sound or the actors; as a native speaker, I can assure that the Spanish dialogue comes through loud and clear. Furthermore, we don't learn a lot about the culture that originally gave rise to Zikril, apart from some mythology about how it came into being, as well as learning about the afterlife where its speakers go when they die: a physical place on the mountain called “El Encanto”, to which they apparently ascend, like the Virgin into the heavens, bodily and not just in spirit (the movie is firmly planted in the tradition of magical realism, and is in particular reminiscent of Alejo Carpentier’s novel Los Pasos Perdidos, which it emulates but does not equal). What the film, shot deep in the Veracruzan jungle, does very well, however, is what Werner Herzog calls the ‘voodoo of location.’ All things considered, I Dream in Another Language is intriguing enough to hold the viewer's interest throughout its 103-minute running time, but perhaps the filmmakers should have resorted to some already existing, but still obscure, language, instead of half-assing an entirely new one.
Jules, 18 years old, reluctantly spends his holidays in the naturist campsite of his childhood. He is torn between his attraction for the beautiful Karim, a seasonal worker on the textile beach, and the depression of his mother Adèle, who refuses to let him grow up.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
Quadruplet siblings (two boys and two girls) played by Vice Ganda were separated after birth when their grandmother steals two of the siblings (a boy and a girl) away from their mother. The stolen siblings lived a comfortable life in the US, not knowing that their mother and siblings, a gay and a lesbian, struggled to make ends meet in the Philippines. When the boy develops hepatitis that requires him to have a liver transplant from a compatible donor, their father tells them about their siblings in the Philippines, who may be possible candidates as donors. But once the siblings finally meet, pent up resentment and animosity between the girl and the gay siblings, has threatened the chances of the boy sibling's survival.
Praxis peels away the layers of narrative even as Brian, the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe and an Elusive Woman as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society - aptly symbolized by the medical establishment - his quest reflects the classical mythos of Proteus and the human search for meaning in the universe.
Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.
Young Dorothy finds herself in a magical world where she makes friends with a lion, a scarecrow and a tin man as they make their way along the yellow brick road to talk with the Wizard and ask for the things they miss most in their lives. The Wicked Witch of the West is the only thing that could stop them.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man.
