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**In an alternative way, against all the odds, they fought it!** This was a remake of the 1979 film of the same name. I haven't seen that, but I enjoyed this version. I did not say I liked, but very entertaining. From 'Grandma Gangster' to 'Stand Up Guys', there you could find a few more that all these films have commonalities. The old fellows try to do something out of their age and strength can cope. So, for fun, this film will do just fine. The poster says it all, but the film reveals much detail, like with small twist and turns. Three lifelong friends suddenly feeling the heat after their pensions got messed up. Apart from that, serious health condition and other financial struggle force them to rob a bank. The film is going to tell us their preparations for the action and post heist developments with some close encounters. No one particular, but all the three veteran actors were good. Good to see them in such energetic film, other than supporting roles in other big flicks. Zack Braff too was good at his direction. I did not like that much his previous feature film. This is a commercial film, but well done. He says it is a reboot, not a remake. And seeing decent success, there could be a sequel. Simply watch it and have fun, but don't analyse deeply, which might only disappoint you. _6.5/10_
'Going in Style' is a fun one! I got more entertainment than I was expecting, given I had anticipated a somewhat half-arsed 90 minute comedy with potentially half-arsed showings from stars of yesteryear. Pleasantly, I was wrong. The more it went on, the move I enjoyed it. The one lame scene comes at the supermarket, but even that saves itself really with the addition of Kenan Thompson. It made me laugh at a few moments, namely with the 'E.T. the Extra-Terrestrial' 'homage' and when Josh Pais' character does the cat thing the second time (it's barely visible, just about in shot) - both funny! The masks were a nice touch, too. And that last scene with Annabelle Chow & Nancy Sun is so dumb but I'm totally here for it. It's paced well, has a strong second half and, also, features a well done bit with John Ortiz's character in there too. A swell surprise, all in all. I would happily rewatch it. Michael Caine, Morgan Freeman and Alan Arkin make for a great trio!
**A good comic film with four great actors.** We are facing a light comedy that tries to remake a much older film that has a very similar story: three elderly people on the verge of retirement who are going to try to rob a bank. Although the film is a very welcome comedy and is not unpleasant to watch and rewatch, unfortunately, it brings to the fore a very serious problem that the USA, and other countries, insist on not solving: the precariousness in which we live when we are sick or has reached retirement age. It is not uncommon to see people who spend the overwhelming majority of their monthly income on medical and pharmaceutical care, and who find themselves on the verge of poverty due to very low pensions. The situation that it brings to us – a company that is going to close and that, through a legal device, is now able to use money from workers' pension funds to pay off part of its liabilities – is much more complicated, and I believe it could even be illegal, but the truth is that it wouldn't be surprising if it happened in real life. Unfortunately, I haven't seen the older film yet. What I saw in this film, however, is quite good and worth our attention. The cast is led by well-known veteran actors and their work is excellent. At the same time, the situation is seen with the lightness that befits a comedy, even though it is a serious matter. The film does not need additional explanation, things happen before us, and the film pays much more attention to all the characters' problems, as well as the planning of the robbery, than to the act itself. It’s not “Ocean’s Eleven” or anything like that, there’s no roulade action or great refinement in the “art” of stealing. The intention is to make us laugh with the caricatured situation itself, and this is done in a reasonably effective way: it doesn't make us laugh out loud, but it does enough to entertain us. If the film has any positive points to praise, it will certainly be the participation of the cast, who are far above average and deserve praise for the way they played and acted. The three protagonists – Morgan Freeman, Alan Arkin and Sir Michael Caine – are effective and create an excellent collaboration, and I would venture to say that the pleasure of seeing the four of them working together is one of this film's best assets. In the secondary cast, Matt Dillon provides welcome support as a federal agent tasked with investigating the bank robbery suspects. The film is a regular comedy, it has no technical aspects that deserve an in-depth analysis, but what it presents to us is done with great effort and works well. The point that caught my attention the most was the bank itself, whose setting evoked old banks from the first decades of the 20th century. I discovered, in fact, that this film used a classified historic site as the setting for this bank.
Michael Mann's gutsy telefilm tells the tale of two skilled professionals-one a cop, the other a criminal-who aren't as different as they think. Vincent Hanna is an intense cop on the trail of ruthless armed robber Patrick McLaren. After a botched heist, the two men confront each via a full scale battle on the seedy streets of Los Angeles.
Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.
A retired detective accepts a simple task, unaware that it will tear open old, forgotten, but deadly wounds.
Egbert Sousé becomes an unexpected hero when a bank robber falls over a bench he's occupying. Now considered brave, Egbert is given a job as a bank guard. Soon, he is approached by charlatan J. Frothingham Waterbury about buying shares in a mining company. Egbert persuades teller Og Oggilby to lend him bank money, to be returned when the scheme pays off. Unfortunately, bank inspector Snoopington then makes a surprise appearance.
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.
When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
Karen McCoy is released from prison with nothing but the clothes on her back. Before being incarcerated Karen was the bank robber of her time, but now she wishes for nothing more than to settle down and start a new life. Unfortunately between a dirty parole officer, old business partners, and an idiot ex-husband she will have to do the unthinkable in order to save her son.
Rogue agent Gabriel Shear is determined to get his mitts on $9 billion stashed in a secret Drug Enforcement Administration account. He wants the cash to fight terrorism, but lacks the computer skills necessary to hack into the government mainframe. Enter Stanley Jobson, a n'er-do-well encryption expert who can log into anything.