Mañana no es otro día

Binta, a little girl from Senegal, tells us about the everyday life in her village, the importance of education for the girls, and about her father's great idea to make the world a better place.

A young Church elder struggles with his faith when the married woman he has been seeing breaks off their relationship.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

A teen drops out of a gang when they mug his father for his pencil.

A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

Through a series of auditions, a young actor in New York City struggles with his identity.

This film is the pearl of his pioneer work in Madeira Island and captures the most of his methodology: good stories taking the most of Madeira's natural scenery, and provoking the audience with some ironic and "double-sense" scenes. The film tells the story of an English girl travelling with her father, a botanic, and a guide from madeira in the deep mountains of the island. The girl has some mental disturbs and is always scaring about an attack from the native man, appearing as a half-man/half-monster.

Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.

A boy grows a seed into a flower while the world around him marches on.

A distraught squatter tries to cope with his werewolf nature through drugs and music.