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The story of a Christmas tree is told through the 'voice' of the tree itself. The tree has big ambitions, doing everything it can to grow so tall that it reaches the sky. Featuring extraordinary photography, the film follows the adventures of its life from sapling to maturity. One December day, everything changes when a little boy falls in love with the fir tree.
A dream-like narrative in which a woman (Deren), is washed up on a beach and goes on a strange journey, a quest for personal identity, encountering other people and other versions of herself.
The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.
Trapped and mistreated by her oppressive captor, Layla longs to escape and enjoy the freedom of the outside world. Will the mysterious woman in red offer Layla everything she wants?
A female centaur enters a clearing in the woods and picks flowers. She is met by a male centaur and the two romance each other. They then seek parental consent for their union. Surviving footage of a now lost film.
Superman's commitment to promote US Savings Stamps is temporarily delayed when Lois is kidnapped.
Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
Ring of Fire is about the immense natural force of the great circle of volcanoes and seismic activity that rings the Pacific Ocean and the varied people and cultures who coexist with them. Spectacular volcanic eruptions are featured, including Mount St. Helens, Navidad in Chile, Sakurajima in Japan, and Mount Merapi in Indonesia.
