Medan du var borta

An elderly man remembers the full life of love he has lived, with the help of a wish he made on a dandelion years before.

Mia has locked herself inside her recently deceased mother's rundown, crumbling house. Armed with a litany of books detailing ancient cultures and rituals, she tries desperately to reach out to the other side and speak to her mother. But when she succeeds, she gets more than she bargained for. Waiting alongside her mother is something monstrous, something that Mia recognises instantly. As she tries to survive the night and escape the ritual alive, Mia is forced to confront a variety of evils - ones from both without, and from within.

Newly employed in an emergency shelter for people experiencing homelessness, Geneviève is shaken to meet a young woman there whom she believed to have succeeded in reintegrating when she was her social worker.

A group of women involved in the Women's Liberation Movement hatched a plan to invade the stage and disrupt the live broadcast at the 1970 Miss World competition in London, resulting in overnight fame for the newly-formed organization. When the show resumed, the results caused an uproar and turned the Western ideal of beauty on its head.

Ibn Kenyatta has been in prison since 1974. In 2019, he reflects on his refusal to appear before the New York State Board of Parole. The words resonate from his cell with images of the Great Migration. The invocation of a life before walls. The images' epistolary narrative takes us from Alabama, his birthplace, to the New York subway where he was arrested and beaten. Before arriving to Haiti's spiritual world, his words pass through cotton fields and factories. We encounter Bobby Seale in prison, a youth who embodies his African heritage during the Vietnam War, while his fathers are murdered in the United States.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

When a mistrustful rogue, who earns a living by sending "obsolete" humanoid robots to the scrap heap, has a change of heart and decides it's time to call it quits, he stumbles upon a conspiracy that will reveal his life's darkest secret.

El and Jali, a twenty-something couple from Sydney’s Inner West, arrive at a house party. As El wanders through the house, she experiences a myriad of gender performances, and finds kinship in another girl, Fleur. The night changes route completely when they are confronted by a violent figure.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.