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(79/100) There should be more films made that take place in the 90s. And they should all star Timothee Chalamet and Maika Monroe. They're electrifying in Hot Summer Nights. This film is a bit of a mess at first, tonally jarring, and feels like Scorsese/P.T.Anderson-lite at times. But if you're going to borrow, borrow from the greats. It has a great soundtrack and is surprisingly dark by the end, ending on a note both mysterious and melancholic. It's these surprising elements and a bit of depth that makes Hot Summer Nights a pleasant summer diversion. There would be no film, however, without the magnetic chemistry and charming performances by Chalamet and Monroe. Kudos should also go to the soundtrack.
Timothée Chalamet and Maika Monroe carry this film, there chemistry is top notch, and their relationship progression is infectious. The story is far-fetched and over the top, I have a hard time believing a high school kid can create a weed empire over the course of a couple months. And what was he supposed to do when he had to return to his moms after the summer? Despite the story's flaws, this movie was incredibly enjoyable with excellent performances by our two leads, plenty of laughs, cut romantic quirks, and some downright scary scenes. Score: 68% Verdict: Good
“Daniel” (Timothée Chalamet) is a quiet teenager who spends much of his time people watching the folks who summer on Cape Cod. His encounter with “Hunter” (Alex Roe) injects a little more fun to life when he is recruited to start selling them weed. It turns out to be quite a lucrative little venture, and soon the pair scale it up and begin to make some decent cash. This attracts them to local dealer “Dex” (Emory Cohen) and next thing the young “Daniel” has a shiny red sports car. He’d also like a girlfriend, but it transpires that the gal of his dreams “MyKayla” (Maika Monroe) is the estranged sister of his business partner and that means she’s a no-go area. Well, in theory anyway. With hormones raging and the money rolling in, it can only get better for the pair? Well the problem with success is that it’s just as addictive as that which they are peddling to their punters, and so when “Daniel” takes a next step into something altogether more toxic, he risks all. There’s nothing at all memorable about this coming-of-age story and were it not for the fact that Timmie is amongst an otherwise very ordinary cast, I doubt anyone would give it house room. What starts as a mischievous arrangement selling pot to posh boys whilst having a bit of nookie on the side becomes increasingly far-fetched, violent and blandly scripted. It’s set against the backdrop of a looming category 4 storm but sadly that doesn’t come anywhere near quickly enough to liven up this dimly lit and pedestrian story of brotherhood/sisterhood/neighbourhood that’s instantly forgettable. Sorry.
A ragtag group of students try to steal from the faculty room as they save both their grades and friendship.
Leftist radical-turned-terrorist Giorgio—who fled to Latin America in the '70s to escape justice—decides to surrender after hearing about the fall of the Berlin Wall. Determined to lead a comfortable, bourgeois life in his native Italy, he cuts a deal with a shady police chief, getting his sentence reduced in exchange for ratting out former comrades. Once released, Giorgio obsessively pursues his dream of becoming a "respectable" citizen, even if the way is paved with larceny, pimping, drug-dealing, rape, heist, and murder...
A gifted teenager, dreaming of life beyond her small town, becomes inspired when a 15-year-old girl from New York moves in next door.
Thirteen-year-old Ramon is on the verge of many adolescent discoveries - and the confusion that goes along with them. Shy and awkward, he's moved from town to town throughout his childhood and believes that life is about winning and losing. But he soon learns it's all about survival. Like Ramon, Spain is in transition (President Francisco Franco is about to die); it's a time of social upheaval marked by change, illusion and struggle.
Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
In Hamburg, West Germany, a rocker biker gang helps a kid avenge his brother who was murdered by a two thugs.
Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.
Two teenagers are drawn together by the Buzzcocks' single 'Love You More' during the summer of 1978.
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself.
With problems on the home front, 15-year-old Murra is on the verge of lashing out. That is, until her policeman uncle thwarts her self-destructive behaviour with a lifeline: a “photo-safari for at-risk kids”. Murra isn’t entirely convinced, but she soon joins cantankerous Kylie, uptight Sean, happy-go-lucky Elvis, and camp counsellors Fernando and Michelle on a transformative bus trip to the Pilbara. On the trail, the teens learn about fun, friendship and first crushes, as well as the forces of ‘reality’ that puncture the bubble of youth.
Legend tells of a girl named Palmira. A teenager, becoming a beautiful woman, her normal small town life took an unexpected turn. A demon expelled from paradise falls in love with her, causing great misfortune; only one can defeat him.