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**Possibly better than its predecessor, which is no small feat.** Charming and hilarious, with more than enough jokes for the young and the old to enjoy. Hugh Grant is an excellent and highly comical villain, and the rest of the cast is jam packed with cameos from British notables. A very worthy sequel 8/10
I was really surprised by how much I enjoyed the first _Paddington_ and almost as surprised again by how much this one lived up to it as a sequel. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
With aunt "Lucy" about to celebrate her 100th birthday, "Paddington" has been taking odd-jobs so he can earn enough money to get her a gift. He alights on a special pop-up book from an antique shop but when it gets stolen, he finds himself in court accused of it's theft! It's the evidence of local Thespian "Phoenix Buchanan" (Hugh Grant) that sends him to prison. He's not exactly an instant hit when he arrives - a red sock in the laundry turns all the uniforms pink! His life becomes even more perilous when he takes on the cook "Knuckles McGinty" (Brendan Gleeson) over his mediocre, tasteless food... Deep intakes of breath all round, but he is saved by the taste of his marmalade! Now he has a protector and must get out of jail and find out who framed him for this most heinous of crimes and hopefully still get the book in time for a birthday present. There are some great characterisations here as the bear's friends gather round to help him thwart the plans of the thief. Dames Eileen Atkins and Julie Walters both contribute well as do the assembled "Brown" family who never lose faith in their recent family addition. The writing is amiable and quickly paced and the animation is impressively natural - especially as the denouement between speeding trains brings things to a fun, almost music-hall, conclusion. This is just as good possibly better than the original (2014) and well worth a gander.
This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.
In the African American neighborhood of Sag Harbor, Charles Blakey is out of work, out of luck and on the verge of foreclosure on his ancestral home. A knock on the door from mysterious businessman Anniston Bennet brings a bizarre and lucrative proposition; rent his dusty stand-up basement out for the summer and receive enough money to clear his debts for good. Once Charles accepts, he finds himself led down a terrifying path that confronts his family’s ghosts and locks the men in a terrifying puzzle, at the heart of it race, the source of their traumas and the root of all evil.
Dallas, a burdened but headstrong dancer, is determined to get into the best dance school in the country—her late mother’s alma mater. However, that dream is suddenly derailed when the cheeky yet secretly grieving football star, Drayton, crashes into her life with a unique story of his own. Will the two of them be able to grow into their dreams together, or will their dreams be sidelined?
A lonely wood-carver named Geppetto wishes for a son one night before going to bed. The Blue Fairy comes while he sleeps and partially grants the wish by turning his latest puppet, Pinocchio, into a living marionette. Pinocchio can himself fulfill Geppetto's wish of a real human son if he can prove himself to be a good soul. However, the road to becoming a real boy seems to never end, since his innocence continuously causes a problem, especially when the Evil Gypsy and his two goons want to exploit him. Not to mention, every time that he misbehaves or lies, his nose grows...
Vatanen has had enough of his job, his wife, his whole urban lifestyle. One day, without warning, he leaves everything behind and heads out into the wilderness accompanied by a rabbit he found on the side of the road.
J.R. has been shot in his sensitive parts. After spending a season in the hospital, and anxious for revenge, he returns to find the culprit. He is accompanied by a bodyguard that prevents the presence of women who could approach him, thus delaying his recovery.
Little girl finds a teddy bear from the seashore. Reeta and Teddy Uppo form a deep friendship with each other, but what happens when Uppo meets an old hermit?
Rose, a rebellious half-vampire/half-human guardian-in-training and her best friend, Lissa - a mortal, royal vampire Princess - have been on the run when they are captured and returned to St. Vladamirs Academy, the very place where they believe their lives may be in most jeopardy. Rose will sacrifice everything to protect Lissa from those who intend to exploit her from within the Academy walls and the Strigoi (immortal, evil vampires) who hunt her kind from outside its sanctuary.
In the sequel, roles reverse as Nicole's boss plans newly engaged Nicole and Michael's wedding in two weeks at Christmas.
Kwame, a sexy, straight 17-year-old is trying to get his two dads, Max and Jordan, back together again. That is, when he's not trying to attract the attention of the girl of his dreams. Kwame's two gay best friends aren't having an easier time of it either, what with boyish Dean having a crush on daddy Max, and punky Banbi unable to get his older boyfriend Robin to settle down. Add Max's lesbian sister and Max and Jordan's new love interests and you're in the middle of a hip, fun, music-filled soap opera.