Sextemplet

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

How can an artist discover abstraction by the beginning of the 20th century and nobody is noticing? A woman, misjudged and concealed, rocks the art world with her mind-blowing oeuvre. Hilma af Klint was a pioneer creating her first abstract painting in 1906, four years before Vassily Kandinsky. But why was she ignored? Why are her paintings not available on the market? This first film on her is about her life and work, the role of women in art history and the discovery of an art scandal. Her quest for meaning in life and a boundless thinking led into a timeless, outstanding oeuvre.

A feature documentary set in Kigali, Rwanda, the epicenter of the genocide that left a million dead two decades earlier. The film follows eccentric retired Dartmouth Professor Emeritus, Andrew Garrod, as he mounts Romeo and Juliet with college students from both Hutu and Tutsi backgrounds. Hopes, expectations, pasts, personalities and cultures collide as opening night approaches.

Sex and Cinema is a steamy trip through the looking glass of the camera lens, depicting how sexually charged films reflect our own sexual liberation. It will unzip America's obsession with sex, both from a cinematic and social perspective, exposing the hypocrisy inherent in our culture's war against eroticism (be it film, art, literature or song lyrics). The special will look at many films that push the boundary, from mainstream studio films to product that in its time has been considered pornographic.

An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.

French architect Jean Nouvel has long been known in Europe for his bold, shimmering glass museums, concert halls, and high-rise towers. Now the much-acclaimed new Guthrie Theater in Minneapolis, Minnesota, which opened in 2006, is displaying Nouvel's remarkable talents to an American public. With a cantilevered lobby that extends 175 feet over the Mississippi River, the dark midnight-blue, aluminum-paneled structure has captivated the culturally conscious city and helped spur the rejuvenation of a once-industrial waterfront. In the tour, Nouvel takes us through three distinctive theaters he designed for the Guthrie, and out onto the cantilevered deck to view the legendary river that inspired the boldly elevated design.

A feature-length documentary that delves into the life of an old spinster who, by convention, must be called señorita. Bound by rigid moral and family precepts, well-born ladies do not usually tell intimacies. However, the virgin - as the people of Xalapa have always called her - has agreed to confess and show her personal refuge, marked by solitude and the daily fulfillment of a sacrificial ritual.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

Portrait of Leónidas Barletta, founder of Teatro del Pueblo, the first independent theatre in Latin America. This film on the controversial theatre director and left wing journalist is constructed from the letters and books Leónidas sent to his young sister María Angélica, godmother of director Miguel Colombo, who decides to leave her brother's legacy in the hands of her godson before she dies.