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Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
Your wife will have to do that. Us ordinance husbands aren't allowed to. Going' South is directed by Jack Nicholson who also stars. It's co- written by John Herman Schneider, Al Ramrus, Charles Shyer and Alan Mandel. Co-starring with Nicholson is Mary Steenburgen and Christopher Lloyd. Music is by Perry Botkin Junior and cinematography by Nestor Almendros. 1866, Longhorn, Texas and plot finds Nicholson as Henry Lloyd Moon, a small time outlaw who is captured and sentenced to hang. But a strange ordinance from Civil War days allows a condemned man to escape the gallows if an unmarried lady of the town is prepared to take him as a husband. Enter Julie Tate (Steenburgen), a virginal lady who is poles apart from the crude and scruffy Moon, who takes him in purely to help her work in the mine on her land that she insists contains gold. Could these two opposites actually develop a relationship? Can there be trust there? Will Moon survive the wrath of vengeful deputy Towfield (Lloyd) who believes Moon stole his gal? Barely noticed upon release, where few critics of the day were prepared to give it some credit, Jack Nicholson's second film as a director found a firm fan base down in the cult basement. The advent of DVD has seen it get more exposure to film fans and critics and its stock has risen. Yes! It's still a bit too off-beat for some, the quirky comedy Western has always struggled to get mainstream praise anyway, but viewing these days it plays out as enjoyable fare whilst simultaneously giving us early glimpses of future stars of film. In truth the film's comedic high points come in the first quarter and Nicholson strains to reach those heights again. Once the odd couple retreat to the genteel out of the way matrimonial home, the simple premise takes over and the couple engage in a battle of wills between horny beast and angelic being. On the edges of the frame popping in to view from time to time are hostile railroad officials putting the squeeze on Julia as they want her land, deputy Towfield and his cronies and Moon's old gang, the latter of which provides the catalyst for chaos. Sometimes crude, sometimes silly, the film does retain amusing worth throughout, with some zippy lines that remain quotable. Nicholson and Steenburgen are perfect foil for each other, so it's well performed and it also looks nice thanks to Almendros' photography. The likes of John Belushi, Danny DeVito, Veronica Cartwright and Tracey Walter are in the support slots, none of whom get time enough to really impact upon the proceedings as their fans would like. It's interesting to see Lloyd and Steenburgen working together in the genre this early, because they would reteam in the Western themed third part of the Back to the Future trilogy 12 years later. While further continuation novelty sees Lloyd, DeVito and Nicholson back together after working on One Flew Over the Cuckoo's Nest in 75. DeVito would swap chairs with Nicholson and direct the star in Hoffa in 1992. More a amiable smile inducer than a side splitter, Going' South is worth seeking out if you have a kink for off-beat Oaters. 7/10
Space Case follows Bobbie Almond, a social outcast who has dreams to escape her small town life. She has a ticket to Mars! But when Bobbie's ticket to a new life gets stolen by her super Preppy sister, she's forced down a road of conformity, to be a part of the town's Beauty pageant! Will she conform? Or will she bail and follow her dreams!
Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.
This is the story of three brothers - a priest, a soldier, and an outlaw - that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.
A dark, surreal comedy about a local man who becomes convinced that a vast conspiracy is behind the impossibly rapid gentrification in his London area. But is it all in his head, or is the truth even darker than he imagines? Cla'am is the debut short from Nathaniel Martello-White, one of the UK's leading young playwrights.
An aspiring Gordie journalist drops his inhibitions to research the UK's North East outdoor sex scene. He meets a certain girl in a car park, and the totally unexpected happens.
The film is about an unemployed banker, Henri Verdoux, and his sociopathic methods of attaining income. While being both loyal and competent in his work, Verdoux has been laid-off. To make money for his wife and child, he marries wealthy widows and then murders them. His crime spree eventually works against him when two particular widows break his normal routine.
Floyd Benson, a neurotic college student, must learn to overcome his fears and discover who he truly is after he's forced to confront a particularly unique hygiene problem.
John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.