War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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When two wealthy old buzzards - Ronald Squire and Wilfrid Hyde-White espy the poverty stricken American "Adams" (Gregory Peck) they invite him into their home and give him an envelope. He is promised it contains money and so he promptly sits down to a much needed meal. When payment is duly demanded, he reveals the contents of the letter. A £1,000,000 pound note. It's real, but nobody can cash it. Nobody has the change. Indeed, quite quickly he discovers that the very sight of the thing is sufficient to open doors of credit at just about everywhere in London. A swanky hotel, fine tailoring and dining all beckon. High society welcomes him with open arms and that might even provide him with an opportunity to court the otherwise inaccessible "Portia" (Jane Griffiths), thd daughter of the haughty "Duchess of Cromarty" (Joyce Grenfell). His deal with his two sponsors, so to speak, is that he must keep the note intact for one month and if he does, well there's a real glittering prize awaiting him. It's all going really rather well but he's overlooked one small thing. The previous owner of his hotel suite - the "Duke of Frognal" (AE Matthews) was none to pleased about being relegated to lesser accommodations, and so enlists the help of an housemaid to purloin said banknote. When "Adams" and his loyal, mute, retainer cannot present it to their creditors, well let's just say all the goodwill evaporates and things all start to look distinctly dodgy! This is quite a cheery and enjoyable adaptation of the Mark Twain story that sees Peck on jovial form amidst a fine cast of British character actors. The narrative takes an unswerving, but light-hearted, swipe at the hypocrisy and venality of society - at all levels as well as at the double standards that prevail across the board when those who have money (or are perceived to) don't really need it and those who are desperate for the stuff can't get near enough to it to buy basic essentials. The shallowness of many of these characters is writ large and entertainingly and though I did find the denouement a bit rushed, I did rather enjoy the irony of the conclusion. Peck looks like he enjoyed making this, as did the permanently sozzled Matthews and the on-form Grenfell and I did quite enjoy watching it.
Nacho Libre is loosely based on the story of Fray Tormenta ("Friar Storm"), aka Rev. Sergio Gutierrez Benitez, a real-life Mexican Catholic priest who had a 23-year career as a masked luchador. He competed in order to support the orphanage he directed.
A hitman, his boss, an art dealer and a money-laundering scheme that accidentally turns the assassin into an overnight avant-garde sensation, one that forces her to play the art world against the underworld.
As an ex-gambler teaches a hot-shot college kid some things about playing cards, he finds himself pulled into the world series of poker, where his protégé is his toughest competition.
Brian and Charlie work for a gangster. When the boss learns they want to "leave" he sets them up to be killed, after they help rob the local Triads of their drug dealing profits. Brian and Charlie decides to steal the money for themselves, but when their escape doesn't go to plan, they have to seek refuge in a Nuns' teacher training school.
A race car driver tries to transport an illegal beer shipment from Texas to Atlanta in under 28 hours, picking up a reluctant bride-to-be on the way.
In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.
An enigmatic tale of four people whose lives are intertwined by destiny are subject to the laws of fate. They discover that luck is something they cannot afford to be without as they gamble with the highest stakes possible in a deadly game from which only one of them will emerge intact.
Downtrodden writer Henry and distressed goddess Wanda aren't exactly husband and wife: they're wedded to their bar stools. But, they like each other's company—and Barfly captures their giddy, gin-soaked attempts to make a go of life on the skids.
Mexican immigrant and single mother Flor Moreno finds housekeeping work with Deborah and John Clasky, a well-off couple with two children of their own. When Flor admits she can't handle the schedule because of her daughter, Cristina, Deborah decides they should move into the Clasky home. Cultures clash and tensions run high as Flor and the Claskys struggle to share space while raising their children on their own, and very different, terms.
A stroke of good luck turns lethal for Sam Phelan and his wife Leslie when they are faced with a life-changing decision that brings strange and sinister Pyke Kubic to their doorstep. As Pyke leads Sam and Leslie on a tumultuous adventure through the streets of Chicago, each are pulled deeper and deeper into a desperate spiral of deception and violence – all in the name of money.
Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.