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After four theatrical and six direct-to-video releases “Hellraiser” has been given a reboot as a cinematic release for Hulu. For those not familiar with the series based on a story by Clive Barker, it involves a cube-shaped puzzle box that when opened summons demons known as Cenobites who demand sacrifices and promise great rewards to those who summon them. Naturally, their version of rewards is the stuff of nightmares as the line between pleasure and pain for them is even more distorted than their horrific visages leading those who encounter them to plead for death but often face tortures beyond imagination. The new take on the series stars Odessa A’zion as Riley, a recovering addict who is living with her brother and his boyfriend as well as a roommate. Her brother is concerned over her relationship with her boyfriend as he believes anyone she met in recovery is not stable enough to support her in her times of need. Desperate for money; Riley is convinced to take objects from an abandoned warehouse but finds only the mysterious puzzle box which she in time is able to reconfigure to one of the various options it is capable of. In doing so, she summons the Cenobites who promptly take her brother which forces Riley and her friends not only to question her sobriety but her sanity as well. As they attempt to understand the nature of what is happening to them, their investigation leads them to a larger puzzle and encounters with more Cenobites including their leader Pinhead (Jamie Clayton) whose at times cryptic messages can tempt and torment those who try to survive and manipulate the events they find themselves in. What follows is a mix of tension and gore as personal ambitions, survival, temptation, and base emotions are tempted as the characters attempt to understand a complex and rapidly changing nightmare from which there seems to be no escape. While the new version does have a slow and more deliberate pace leading up to the finale, it was engaging enough to hold my interest. For me, the theatrical films became at times redundant as they did not advance the mythos as much as up the gore in an attempt to keep the audiences coming. The fact that the last theatrical release had the Director remove his name from the film shows how things had deteriorated too. The six video releases were hit and miss with Barker no longer being involved and eventually the same for original Pinhead Doug Bradley who no longer wanted to be part of a series where a film was produced in a matter of weeks simply to maintain the rights. This time around thanks to a good cast and effects along with a story that is true to the mythos yet updated and engaging, the franchise has had a much-needed new direction and it will be interesting to see where it goes next as there are already rumors of a prequel in the works. Hulu has done well with their recent “Predator” film “Prey” which has invigorated the franchise and this new outing is not only ideal for their format but a fresh step for the franchise. You can check out “Hellraiser” on Hulu on October 7th.
Yes, Hellraiser has had a Disney make over and it shows. I like Clive Barkers work. I've read a lot of his novels and I remember the original Hellraiser films. Frankly, this film does not feel like an adaptation, of his work. For a start, its predictably woke, no surprises there, right? Its cardinal sin however, is dumbing down the lore found in the original franchise and applying the little that is left, in an inconsistent and at times incoherent, manner. The results a borderline watchable affair. Its pretty tame compared to the original flicks and for me, failed to resonate. Acting is alright and as you might expect, production values are decent. That said, the original films are, I believe, considerably better and far more disturbingly horrifying, than this rather weak facsimile.
Not a bad movie... but not a decent movie either. It's not as entertaining as most of the Hellraiser sequels to date. It's predictable, in no way suspenseful and much of it makes little to no sense. It has nothing in common with the other Hellraiser movies and nothing in common with 'The Hellbound Heart' which is the Clive Barker novel that Hellraiser is based on. The original Hellraiser movie was very true to the book and is still by far the best Hellraiser movie with the most suspense, horror and entertainment value. I'm sure we'll see more Hellraiser movies... and I'm sure they will all be uninspiring.
It's pretty woke and I enjoyed it. I swear, how did we go from discussing and critiquing the plot of a movie and the acting and the script and the sets, to opening criticism with the line "it's pretty woke". At least the bigots can't help but out themselves constantly nowadays.
A group of kids embarks in a macabre adventure, full of characters from the Brazilian popular imaginary - the werewolf, a witch, a ghost, monsters and The Saci.
Two years after she escaped a violent attack on her family, 16-year-old Becky attempts to rebuild her life in the care of an older woman - a kindred spirit named Elena. However, when a violent group known as the Noble Men break into their home, attack them and take their beloved dog, Becky must return to her old ways to protect herself and her loved ones.
Late at night, a woman is kidnapped by an unknown assailant and taken back to his blood-spattered dungeon, where he turns her into a "flower of blood and flesh" through a series of dismemberment and evisceration.
A scientist taints his mother's scientific experiment with his own drug that transforms pain into a pleasurable experience. Unfortunately for the three women involved in the experiment, the drug works a little bit too well.
A series of gruesome accidents plague a small American farming community in the summer of 1935, encircling two identical twin brothers and their family.
A doctor conducts experiments on patients which end up in anguish!
A dwarf scientist has his dreams frustrated when his sister becomes seriously ill. Determined to find a way to preserve the essence of his sister after the death, the scientist begins to use humans as guinea pigs in a bizarre experiment.
In the spring of 1945, Japan established a secret base, Unit 731 in Manchuria, where many innocent Chinese, Korean and Mongolian people were killed in grotesque experiments. An idealistic young doctor , Morishima, is horrified by the experiments being performed in the camp and when his fiancée arrives disguised as a Chinese prisoner he sets out to liberate the camp. A docudrama sequel to the notorious Men Behind the Sun, which pulls no punches when it comes to delivering the shocks!
Confined to a mental hospital, young Kirsty Cotton insists her supposedly dead father is stuck in hell, controlled by sadomasochistic demons after being betrayed by his evil, occult-obsessed wife, Julia. Few believe Kirsty, except the thrill-seeking Dr. Channard, who is intrigued by the young woman's lurid stories. So when Kirsty and fellow patient Tiffany head to hell for a rescue, Channard and Julia are close behind.
After the ordeal with Samara, Rachel and Aiden move to a rural town. But soon Rachel learns about the death of a girl in a similar fashion. To save Aiden, she must dig into Samara's past even further.
A group of strangers trapped in a farmhouse find themselves fending off a horde of recently dead, flesh-eating ghouls.