America paese di Dio

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

Françoise Hardy is one of the rare artists who keeps an intact aura and arouses such a fascination throughout her career with all generations. Her androgynous figure, her exceptional photogeny and her hieratic allure have inspired photographers and fashion designers alike and seduced the greatest rock stars such as David Bowie and Mick Jagger. This documentary film, rich in archives, skillfully mixes songs and confidences. It takes us on a fascinating journey through time, from the yéyé period to today, and into the artist's feelings.

We Came to Heal” follows H.O.L.L.A!’s Healing Justice Movement - over a three years period capturing Healing Justice circles, the Healing Justice Summits and H.O.L.L.A!’ s human healing-centered praxis led by The Youth Organizing Collective (Y.O.C). We believe to move towards healing you need to create a space to build, to grow, and share our stories. Alone we are strong spirited, but together we are unstoppable in the fight to end all forms of violence in our Nation, our families and all relationships.

A white family has just put their house on the market and are soon showing it to an interested black family. The neighbors begin to gossip and soon the white family becomes the target of harassment and threats by bigoted residents in the community, who do not want a black family in the neighborhood.

In the late ‘90s, “Sex and the City” took television by storm with its honest and hilarious perspective on love, relationships… and sex, earning legions of devoted fans. Over 20 years later, this exclusive and immersive documentary offers a unique behind-the-scenes look at the filming of the new chapter, “And Just Like That…”.

The story of anti-apartheid activist John Harris - who was hanged after a fatal bombing in Johannesburg in 1964 - told by those who knew him best and through newly discovered home movies.

In France’s last presidential election, Marine Le Pen, a right-wing candidate, won over 30 per cent of the vote after an attempt to rebrand a party long associated with her controversial father, Jean-Marie Le Pen. See how three of her supporters faced similar obstacles in changing the narrative.

In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.

The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.

At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?

At Archer’s Aunty Gladys’ funeral, he hears a tap on the window — it’s a bear named Jesus, who has come for Archer’s mom. “A Bear Named Jesus” is an allegory for religious interference, with an aching yet humorous look at estrangement and mourning for the loss of someone still living.