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The _Transformers_ franchise has never been good. Some say that the series is "Dumb fun with good action and cool explosions. To me, that could maybe be used to describe only the third movie. The first one is promising and has a certain "child-like-wonder" appeal. But neither of them are truly **good**. The second _Transformers_ is meaningless garbage. But when _Age of Extinction_ was released in 2014, the franchise hit new, abysmal lows. Watching _Transformers_ wasn't just a chore, it wasn't just boring, it was excruciating. It was so bad I felt nauseous. I was aggravated to the point of brimming with feelings of genuine anger. They say that if a film makes you feel something, that is a victory in itself. Be it sadness, excitement, intrigue, joy, hope, nostalgia, hysteria, love, fear, warmth - whatever - I tend to agree with that statement. What I felt in _Age of Extinction_ was not a victory. It was a failure. A Guinness Book of World Records level failure. _Transformers: The Last Knight_, is at least that bad again. Arguably worse. I guess it didn't dedicate an entire character to being a justification for paedophilia, so it has that up on its predecessor. _Final rating:½ - So bad it’s offensive. I may never fully recover._
Not surprisingly I expected this, the fifth installment, of the Transformers franchise to be pretty much crap. Especially after the abysmal fourth installment. To my great surprise I found it to be much less crappy than I expected. I honestly do not understand why so many people seems to think this is one of the worst movies ever. The critics sure, especially the ones at Rotten Tomatoes, but I do not really care about those self proclaimed "critics". Ordinary viewers is another matter. I mean, this is a transformers movie and it is directed by Michael Bay. That pretty much defines the movie from the start so what the heck did all those people complaining actually expect? That Michael Bay should suddenly care about things like script and stuff or anything else except big robots, special effects and explosions? Personally I quite enjoyed this movie. Well, enjoyed in the context of watching a Transformers movie that is. I enjoyed the special effects, the robots, even the lousy jokes. I did enjoy the tie in to the Pendragon myth and I thought the somewhat bizarre Sir Edmund Burton and his even more bizarre robot butler was great fun. I laughed outright when I saw the World War 1 tank transformer. I was expecting the submarine transformer to actually transform though. Maybe all those detractors of this movie are missing the bimbo with two and a half brain cells (yes I am being generous now) that used to be the lead female character in the Transformers movies but personally I quite liked that the leads in this movie was much more mature and actually showed some evidence of intelligence. The story? Well, for a Transformers movie it is quite good. In any other context it would be somewhat...lacking. It did screw quite a bit with the Transformers timeline established in the first movies though. Oh, and for some nitpicking, the maximum operating altitude of those airplanes they used is 21 000 feet, not 12 000 feet. Bottom line, I had great fun when watching this movie. With my low, and I mean LOW, initial expectations I was very pleasantly surprised. It is definitely a huge improvement over the fourth instalment.
Soulless garbage. Must have been written in less then 15 minutes. How hard can it be to write an entertaining film about transforming alien robots? If you're Michael Bay, very hard indeed. And the jokes. Wow. The jokes. I cringed after each and everyone. So many attempts at humour falling flat on their faces and smashing all of their teeth on the floor. The makers of this movie should be forced into exile.
You know what? I didn't hate this one. Indeed I think it might actually be my favourite! Naturally alarm bells go off when you think your hear Sir Anthony Hopkins doing the narration. Surely not? As this latest outing for the unidentifiable mechanised battle-mongers takes shapes, though, there is actually a bit more of a story underpinning it. Of course there is a secret, all-powerful gizmo for them to discover and fight over and this time we drag in Arthurian legend, Stonehenge and a belted earl in the form of Sir Anthony. This film does have a sense of imminent conclusion to it too as "Optimus" sets off in search of his duplicitous creator "Quintessa" (Gemma Chan) with a view to a showdown that will secure the future of Earth for ever. Meantime, "Cade" (still Mark Wahlberg) and "Lennox" (a well past his best Josh Duhamel) are going through the combat motions as the legendary staff of "Merlin" has to stay out of the hands of the dastardly "Decepticons". This has more of it's tongue in it's cheek, it's less intense and takes itself less seriously than some of the others in the series. We still have to endure the rather supercilious monologues from the increasingly pompous "Prime" but this, for me at any rate, had more of a substantial sense of adventure to it. As usual, the casting - Laura Haddock is terrible - isn't up to much but keep an eye out for Stanley Tucci who clearly couldn't get enough after the last film and so comes back for a brief cameo here. It's rotten, forgettable and ought to be the last of these - but I still rather grudgingly engaged with it a bit more.
'Transformers: The Last Knight' is normal service resumed. I shockingly loved watching the prior 'Transformers: Age of Extinction', no idea how but I truly did. This sequel, however, is more akin to those other movies in the franchise, it's minutely better than - but still as bad as - series worst 'Transformers: Dark of the Moon'. It's another entry that lasts for just short of 150 minutes, which is again too long. You do have to respect how much the filmmakers fit into such long run times though, like (bar last time) it's mostly all underwhelming but you can't exactly say there are any proper lull moments in there. The whole English knights construction of a plot here just went through one ear and out the other, admittedly these flicks are nonsensical as it is so I guess this overly entwined plot does feel right at home. On the cast, Mark Wahlberg isn't as fun, though I did mildly enjoy Anthony Hopkins. I still don't get truly annoyed by these movies, even though I properly should. I think it's because there is an essence of the flat-out action that I can find enjoyment in, so things never truly get mind-numbingly dull. With that said, they are most certainly disappointing films (usually).
A group of archaeological students become trapped in the past when they go there to retrieve their professor. The group must survive in 14th century France long enough to be rescued.
The explorer craft USS Palomino is returning to Earth after a fruitless 18-month search for extra-terrestrial life when the crew comes upon a supposedly lost ship, the USS Cygnus, hovering near a black hole. The ship is controlled by Dr. Hans Reinhardt and his monstrous robot companion, but the initial wonderment and awe the Palomino crew feel for the ship and its resistance to the power of the black hole turn to horror as they uncover Reinhardt's plans.
Kenichi and his detective uncle, Shunsaku Ban, leave Japan to visit Metropolis, in search of the criminal, Dr. Laughton. However, when they finally find Dr. Laughton, Kenichi and Shunsaku find themselves seperated and plunged into the middle of a larger conspiracy. While Shunsaku searches for his nephew and explanations, Kenichi tries to protect Tima (a mysterious young girl), from Duke Red and his adopted son Rock, both of whom have very different reasons for wanting to find her.
A group of self-absorbed actors set out to make the most expensive war film ever. After ballooning costs force the studio to cancel the movie, the frustrated director refuses to stop shooting, leading his cast into the jungles of Southeast Asia, where they encounter real bad guys.
Mere seconds before the Earth is to be demolished by an alien construction crew, Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."
Speed Racer is a young and brilliant racing driver. When corruption in the racing leagues costs his brother his life, Speed must team up with the police and the mysterious Racer X to bring an end to the corruption and criminal activities.
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Three kingdoms have been overtaken by three evil lords and only Tyor, a teenage boy with magical powers, can restore peace to the land with the help of a bumbling elder, wizard and a hero in each kingdom. Tyor fights alongside them and eventually becomes a powerful wizard in his own right.
Through a series of misunderstandings, Alvin, Simon and Theodore come to believe that Dave is going to propose to his new girlfriend in New York City - and dump them. They have three days to get to him and stop the proposal.
When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey introduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths and rambunctious rams.
Carmen and Juni think their parents are boring. Little do they know that in their day, Gregorio and Ingrid Cortez were the top secret agents from their respective countries. They gave up that life to raise their children. Now, the disappearances of several of their old colleagues forces the Cortez' return from retirement. What they didn't count on was Carmen and Juni joining the "family business."