L'Amour, La Danse (Best Of)

"II: AN UNSPOKEN NARRATIVE" tells the story about one guy going through life alone while learning the concept of balance in an unconventional way expressed by the form of movement and storytelling. We hope to take you on a journey within a story of life experiences revolving around balance where two different concepts make you realize your worst moment to make your great moments greater. Every part of this film is up for interpretation upon your lives.

In this musical short, a man tries to woo the manager of a dance troupe.

Seen through the voyeurism of glass pane, this is the story of 1960's coiffed etiquette gone awry. Dancing bodies reveal a meaty subtext as all protocol gets unhinged.

Facundo Arteaga is a malambo dancer, who has already passed the barrier of thirties. His life is divided between work in the countryside and the care of his children. In spite of physical strain and lack of time, Facundo will try to compete again to try to get the title of national champion of malambo. According to tradition, whoever wins the championship can never compete again.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

A light grey room. A slender woman of 50 and a 12 year old boy. Joined together like the links of a chain. Changing positions at a constant rate. One flowing movement. Never losing touch with each other. A game played by a mother and her child. A kind of tango. Sound of feet. Breathing. Faint smiles. Until suddenly the woman's hands let go of each other.

In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.

A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.

Filmmaker Maia Wechsler follows choreographer Stephen Petronio as he prepares dancers to restage the 1968 production of "RainForest."

Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.