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It came out in '93 when I was 13 and seriously got addicted to the moody mystery thrillers. I mean, I grew up in a house that fostered a love for pulp fiction novels, Sabitini, Leonard, Howard, Hammett, and these movies kind of fall right into those novels. And this had a great cast, Elwes, Silverstone, Rubin, so the film was cast in a way that it could save whatever trash the script was lacking in. And in this case it's plot turns and mystery that it's lacking. The story itself is honestly pretty boring. And I don't fault anyone that objects to that. However, it has enough tension to really enjoy it. The acting is great. It really sets the mood in the right places. It's only when it comes down to the script itself where it fails, and even then the premise is interesting if it were done better.
An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.
A woman's life is destroyed when she discovers that her husband has another family.
After serving time for sexual assault, a disgraced cop finds work as a private detective and becomes enmeshed in a bizarre web that includes a gangster and his former girlfriend…the same woman who sent the cop to prison years before.
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.
American corporations are using the North American Free Trade Agreement by opening large maquiladoras right across the United States–Mexico border. The maquiladoras hire mostly Mexican women to work long hours for little money in order to produce mass quantity products. Lauren Adrian, an impassioned American news reporter for the Chicago Sentinel wants to be assigned to the Iraq front-lines to cover the war. Instead, her editor George Morgan assigns her to investigate a series of slayings involving young maquiladora factory women in a Mexican bordertown.
A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.
Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.
A young journalist uncovers an assassination disguised as a suicide, linked to an American multinational seeking to dominate French industries. Determined to expose the truth, he races against time to gather evidence before more lives—and his own—are at stake.
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.
When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.