Big Town

This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.

'Rocks' Owen, the well-off owner of a car-hire business, is found murdered; the last place he was seen alive was the Blue Parrot nightclub. Scotland Yard go in to investigate, with the help of a visiting American detective and a nightclub hostess who may not be all she appears to be.

Bank teller Mike Donovan (Barry Sullivan) takes the first step on the road to Perdition when he fails to report a $49,000 shortage. Accused of theft, Donovan is fired from his job. He is then prevented from finding other employment by Javert-like insurance investigator Gus Slavin (Charles McGraw). Despite many setbacks, Donovan attempts to clear his muddied name.

An arrogant reporter exploits a story about a man trapped in a cave to revitalize his career.

A poisoned aspirin creates headaches for a woman who received the deadly pill from a stranger, then passed it on to her uncle.

Soldiers of the Storm is a 1933 American Pre-Code crime film directed by D. Ross Lederman.

Eddie Miller struggles with his hatred of women, he's especially bothered by seeing women with their lovers. He starts a killing spree as a sniper by shooting women from far distances. In an attempt to get caught, he writes an anonymous letter to the police begging them to stop him.

Cajun newlyweds must deal with the jealousy of his brother, who also loved her, and the arrival of a mysterious seductress in their bayou backwater.

A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

Based on the novel Low Company. One of the most peculiar film noirs of the 1940s stars Barry Sullivan as a small-time hood who suffers a mental breakdown as his big plans begin to crumble. Beautiful Belita is the slumming society girlfriend who only fuels his paranoia.

Cleo Moore stars as Mary Adams, whose first step on the road to ruin is a $25,000 robbery. Mary hides the money, then confesses to the crime, secure in the belief that she can dig up the loot upon her release from prison.