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Back in 2006, this documentary was a wonderful tribute to the fans of Firefly who "saved" Serenity. However, it hasn't aged incredibly well. The documentary certainly does nothing to try to distance sci-fi fans from the stereotypical nerdy fan image. It also gives fans buying DVDs far too much credit for getting the Serenity movie made. However, the most uncomfortable parts are the brief clips of Joss Whedon shot at a what appears to be a convention's merch booth in what was likely a single short interview between autographs and merch sales. It's hard to watch him joking around knowing that actors from his various productions have come out against his actions. That aside, there are two other relatively minor things that have always bugged me about this documentary. First, more than once it's stated in the film multiple times by Adam Baldwin that a cancelled series getting made into a major motion picture has "never happened before". I guess people have forgotten that Star Trek was cancelled and then had a series of movies a decade later...not to mention the number of old TV shows that have had movie reboots in one form or another. Second, some of the fan-made songs on the soundtrack are great, but Dan Sehane's song "I'm Gonna See Serenity" has lyrics that really annoy me, especially when he says the line "They couldn't take the sky from them, Our big damn heroes made a film" over and over and over as if "them" and "film" are supposed to rhyme. It's very, very bad. Those issues aside, this documentary is an interesting look into fandom of the era. It's before social media and during the time of blogs, web sites, and forums. It's also interesting to catch a few faces such as James Gunn and Jenna Fischer who weren't as well known back then. Although the documentary was undoubtedly made on a very small budget, picture and sound quality is very good. It's a shame that Firefly cast members Gina Torres, Sean Maher, and Summer Glau are not part of this film.
Documentary detailing the extensive number of shots long lost from constant film re-cutting of 1925's great silent cinema classic Battleship Potemkin in the last 80 years, and how many of those shots have been returned.
Is building our own starship Enterprise possible? Will we ever travel between the stars as easily as they do in Star Trek? JJ Abrams' new feature, Star Trek Into Darkness, hits the screen in a golden age of scientific discoveries. HISTORY is there, giving viewers a deep look behind the scenes, on the set, and into the science–amazing new exoplanets, the physics of Warp drive, and the ideas behind how we might one day live in a Star Trek Universe.
In 1993, Jesús Parrado interviewed actor and director Jacinto Molina, world-wide known as Paul Naschy, and director Amando de Ossorio, two key figures of the Spanish fantasy cinema. In 2019, part of this footage is rescued. The rest has lost forever.
An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).
In 1971, director Melvin Van Peebles turned the figure of the black hero in US cinema upside down with Sweet Sweetback's Baadasssss Song: the story of the making of a seminal movie that initiated the Blaxploitation movement, a short-lived but highly influential sub-genre in the years that followed.
The history of Frankenstein's journey from novel to stage to screen to icon.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)
A documentary revisiting the global television phenomenon LOST. Featuring interviews with the cast and crew, as well as members of the loyal fan base who still celebrate the show twenty years after it originally aired.
Dickson Hughes and Richard Stapley, two young composers and romantic partners, are caught in the web of silent film star Gloria Swanson when she hires them to write a musical version of Sunset Boulevard, her 1950 film directed by Billy Wilder.
