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The film opens with quick-cut scenes of Arun in his current scenario. His friends, a group that's involved in theatre, too, pop in and out of the frame, setting the story in the present. When the group comes across a dud of a guy trying to express his love to a girl, juxtaposed cleverly with a similar movie scene running on a telly in a cafe, Arun gets this idea to make what they all are passionate about - theatre and drama - their profession. So, they all start setting up elaborate scenes to bring together 'romantically challenged' people in love. So far, so good; you wait to see director Vijay live up to the promise he showed in Madrassapattinam and Saivam. And so, even if the odd, elusive feeling that you've seen something similar (read Ilayathalapathy Vijay in Shahjahan) flashes by, you want to push it aside and enjoy the scenic visuals, and those cleverly spaced close-ups; you want to see what happens next. The pacing is good, and a semi-serious, often broody Arun and friends manage to elicit a few laughs. And then, the movie goes into flashback mode at a point that forces Arun to contemplate his college days, and the love he lost, and that is when the plot starts to disintegrate. What one thought might be parallel stories at the start (the present, the past, and the varied play scenes the cast sets up), converges into a cliched excuse of misunderstood love. To top it, though debutant Keerthy looks like a collegian, one does find it tough to accept Vikram as one. That apart, the cliches just pile on, and the plot starts dragging its feet as the pace slows down considerably. In fact, when the movie cuts back to the present again, and Vikram starts to deliberately mess up the staged scenes, for a moment, our sympathy actually veers towards the other guy, who is for sure going to lose his money, and his love. And by the time the 'twist' comes, you're wishing Vikram just get over with it. For, from the moment the film bangs you back into the present (well, there's a war scene of sorts playing on the TV in the background), till the end, there is no progress in the story - it's just an extended series of ploys the hero adopts to make sure his love doesn't fall in love again. Mind you, Vikram does look good in parts - the hockey scene is one of the best in the movie, his dance steps are fluid, and he actually does the broody part better, but the problem with Idhu Enna Maayam is, instead of letting the plot rule screen and take the conclusion to another level, Vijay has tried to fit every scene, including the climax, into a pre-conceived, tried and tested template that leaves the actors no choice but to fall in line with the banality.
In the remote Southern Cross Island, a secret organization named The Glittering Crux plans to reactivate giant machines that have been sealed for ages. Known as Cybodies, they can only be controlled by pilots identified as Star Drivers. To unleash their full power, the mysterious group must break the seals of the four shrine maidens that reside in the isle. Recently arrived outsider Takuto Tsunashi vows to stop the Glittering Crux in order to protect Wako Agemaki, the girl who saved his life and is one of the four maidens. Wako is a lively young lady who has already been betrothed to Sugata Shindou, a rich and talented childhood friend. Despite being very close to Agemaki, Sugata quietly disapproves of this engagement since it was forced on them due to a family tradition. The melancholic couple becomes a radiant trio as Takuto becomes not only their friend but protector of the seals since he is none other than the Galactic Pretty Boy, gifted Star Driver of Tauburn, the 22nd Cybody.
Tiffani attempts to help her geeky but very cute friend Casey find true love - or at least a sexy hunk. Taken under Tiffani’s wing, Casey pretends to be Ryan, Tiffani's hot, straight, stripper ex-boyfriend, in order to seduce the smoldering Zack online, which works, until the real Ryan shows up!
A love triangle with a cowboy who steals the heart of a girl and turns out to have a mysterious past related to that of the other love interest
A Serbian émigré in Manhattan believes that, because of an ancient curse, any physical intimacy with the man she loves will turn her into a feline predator.
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his wife suffers a spiritual crisis when she finds her life a blank and his business partners make bad decisions.
After the events of the first film "Truth Hurts Me", Boaz starting to hallucinate and begins to take a series of actions from which there is no way back.
A conflicted animation filmmaker travels to Argentina chasing after a girl he met online, only to end up living with her and her intimidating boyfriend on an isolated island on the outskirts of Buenos Aires.
A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.
Tom, Rahul and Bhavesh meet Seeta in their youth, then each falls in love with her in adulthood. The three friends try to woo her, but she does not believe in love and ignores their advances.
A party game in which players compete for a decreasing number of chairs, the losers in successive rounds being those unable to find a chair to sit on when the accompanying music is stopped.
New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.
