Beatles 64 2024 - Movies (Nov 29th)
Watchmen Chapter I 2024 - Movies (Nov 29th)
Nutcrackers 2024 - Movies (Nov 29th)
Aftermath 2024 - Movies (Nov 29th)
Christmas Under the Lights 2024 - Movies (Nov 28th)
Kneecap 2024 - Movies (Nov 28th)
River of Ghosts 2024 - Movies (Nov 28th)
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Birdeater 2023 - Movies (Nov 28th)
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A Bluegrass Christmas 2024 - Movies (Nov 28th)
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The King Tide 2023 - Movies (Nov 26th)
Alien Romulus 2024 - Movies (Nov 26th)
Return to Las Sabinas - (Nov 29th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Unsolved Mysteries - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
TNA iMPACT - (Nov 29th)
The Creep Tapes - (Nov 29th)
Outlander - (Nov 29th)
The Agency - (Nov 29th)
Im a Celebrity... Unpacked - (Nov 29th)
Landward - (Nov 29th)
This Cultural Life - (Nov 29th)
Christmas Cookie Challenge - (Nov 29th)
The Sex Lives of College Girls - (Nov 29th)
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The opening film, The Lost Paradise by Anil Krishnan, is a silent film about a convict who is released from prison and makes his journey home. It is cloyingly sentimental and the background score is filled with wailing violins that keep nudging us to empathize with the character. Gopakumar's Agavizhi is a genuine head-scratcher (it's a compliment, by the way) involving a triangular romance that as the filmmaker puts it in the end is about the collision of subconscious minds. It if filled with inner monologues (and English dialogues) that will make Gautham Menon blush. Puzhu is perhaps the most audacious film of the lot. The director, Charukesh Shekar, throws us directly into the climax of a story and we see two fatally injured men, burning with hate for one another, scrambling to kill the other first. It is shot in black and white with wide shots of the rocky, desolate landscape and extreme close-ups of the two men which give it the effect of a Western. Next, we get a "message movie" in the form of Nalladhor Veenai, which is directed by Monesh. It is about a teenaged school student being sexually abused by his tuition master trying to save a fellow student and it checks all the "message movie" cliches, confusing in-your-face treatment for hard-hitting storytelling. Madhu is totally mainstream. It is about a loser (someone who "has arrear in committing suicide") who tries to end his life one more time after the girl he is love with gets engaged, and his two friends try to stop it with the help of the girl. The director, Rathnakumar RM, has a light touch and the lines are genuinely hilarious with some of the vibe of Siva Manasula Sakthi, though he makes an ill-advised decision and slaps the tale with an extended bittersweet ending. But don't be surprised if this short, like Pannaiyarum Padminiyum and Mundasupatti, becomes a feature film in the near future. The final film, Neer, is by Karthik Subbaraj and takes place on a fishing boat in mid-sea, and is about three fishermen (one of whom is played by Vijay Sethupathi) and their encounter with the Sri Lankan navy. You are reminded of the film Neerparavai at some point but it is a quietly powerful that manages to quietly make a political statement as well. Given that even feature films find it hard to get screens these days, the fact that Bench Talkies has managed to find theatres is in itself an achievement. And, as a first-of-its-kind initiative, it makes for a good enough watch, though some of the films and the filmmaking clearly have not managed to transcend the Naalaya Iyakkunar ethos.
A girl needs her brother to fulfill an odd request, a good trip turns bad, a CEO gets invited to a mysterious party, and it all centers around the iconic red crustacean.
The yakuza have their best days behind them and are only a shadow of themselves. The old rituals seem out of date and their tattoos make them outcasts of society. The inexperienced student Ryō stumbles into their ranks by chance, and before he knows it, he becomes entangled in dark machinations. He quickly succumbs to the fascination of omnipotence fantasies and hedonistic decadence and sinks deeper and deeper into a parallel world of prostitution, blackmail and violence. However, there is one thing that Ryō has not considered in his naivety: once yakuza, always yakuza!
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
This omnibus film consists of three films made by three directors from three countries. With “Journey” as the theme, each of these films tells about a journey. “The Sea” is a film by Degena Yun (China), telling about mother and child’s trip to the sea from Beijing. “Hekishu,” a film by Daishi Matsunaga (Japan), tells about the journey of a Japanese businessman involved in infrastructure development in Yangon. The film depicts the entrepreneur’s emotional feelings in the face of Yangon residents who lost their homes due to the construction of the new infrastructure. The last is a film titled “Variable No. 3” by Edwin (Indonesia), which tells the story of a couple’s journey to Tokyo. There they meet a mysterious man. The man who works as a tour guide and rents out the inn, gives a strange advice to the husband and wife.
The universe of the Halo video game series is expanded in seven short animated films from Japan's greatest anime directors and studios.
Amid an identity crisis, Fábio, 22 years old, a young black man from Cidade Tiradentes, reconnects with his past through a funk party with friends. On their way to the Fluxo, as these parties are called, he faces internal and external challenges that make him confront his feelings after his recent breakup. The film investigates the experiences of young people who live in the extreme east of São Paulo, the biggest city in Brazil and considered one of the main pillars of funk history.