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The opening film, The Lost Paradise by Anil Krishnan, is a silent film about a convict who is released from prison and makes his journey home. It is cloyingly sentimental and the background score is filled with wailing violins that keep nudging us to empathize with the character. Gopakumar's Agavizhi is a genuine head-scratcher (it's a compliment, by the way) involving a triangular romance that as the filmmaker puts it in the end is about the collision of subconscious minds. It if filled with inner monologues (and English dialogues) that will make Gautham Menon blush. Puzhu is perhaps the most audacious film of the lot. The director, Charukesh Shekar, throws us directly into the climax of a story and we see two fatally injured men, burning with hate for one another, scrambling to kill the other first. It is shot in black and white with wide shots of the rocky, desolate landscape and extreme close-ups of the two men which give it the effect of a Western. Next, we get a "message movie" in the form of Nalladhor Veenai, which is directed by Monesh. It is about a teenaged school student being sexually abused by his tuition master trying to save a fellow student and it checks all the "message movie" cliches, confusing in-your-face treatment for hard-hitting storytelling. Madhu is totally mainstream. It is about a loser (someone who "has arrear in committing suicide") who tries to end his life one more time after the girl he is love with gets engaged, and his two friends try to stop it with the help of the girl. The director, Rathnakumar RM, has a light touch and the lines are genuinely hilarious with some of the vibe of Siva Manasula Sakthi, though he makes an ill-advised decision and slaps the tale with an extended bittersweet ending. But don't be surprised if this short, like Pannaiyarum Padminiyum and Mundasupatti, becomes a feature film in the near future. The final film, Neer, is by Karthik Subbaraj and takes place on a fishing boat in mid-sea, and is about three fishermen (one of whom is played by Vijay Sethupathi) and their encounter with the Sri Lankan navy. You are reminded of the film Neerparavai at some point but it is a quietly powerful that manages to quietly make a political statement as well. Given that even feature films find it hard to get screens these days, the fact that Bench Talkies has managed to find theatres is in itself an achievement. And, as a first-of-its-kind initiative, it makes for a good enough watch, though some of the films and the filmmaking clearly have not managed to transcend the Naalaya Iyakkunar ethos.
A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.
An omnibus movie consisting of three shorts by CHOI Ikhwan, SHIN Yeonsik, and LEE Gwangguk. A delightful dissection of human rights in this day and age through a student who gets punished for wanting to eat deokbokki, a man with delusions of grandeur, an insurance agent who spends a strange day.
An anthology of 26 fan entries submitted for inclusion in ABCs of Death 2, each offering various takes on the letter "M".
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: BACK STAGE (1919), GOOD NIGHT, NURSE! (1918), CONEY ISLAND (1918), THE ROUGH HOUSE (1918), and THE GARAGE (1920). Volume Two of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.
A sinister video rental store is the portal to six tales of terror. This is an anthology horror in the classic style of horror studios from the past but with a twist.
21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Putham Pudhu Kaalai brings together 5 of the most celebrated directors in Tamil cinema - Sudha Kongara, Gautham Menon, Suhasini Mani Ratman, Rajiv Menon, and Karthik Subbaraj to create Amazon Prime Video's first Indian anthology film.
