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**The food comes first. The life's later or maybe never.** The title reveals everything, but still you must watch this to know how everything going to take place. Life on earth is meant for survival of the fittest, but the human evolution changed that idea and again, what happen when the rules we are used to have changed back to the original? This is a post apocalyptic theme set in somewhere in the Britain and revolves around three people who are fighting for their survival, everyday. The feature film debut for the director, who also managed the screenplay quite superbly. You can find many similar films, but everyone of those has its own story with the backdrop of various threats and other issues to deal. Also, when the circumstances differ, the following events take a different lead. Thus giving the viewers a new perspective and entertainment. This is nothing like those I had seen. It was too rough and tough in revealing stuffs to the facts of its state of condition. I mean the humans have lost the trust between one another. You might say that is common in all the post-apocalyptic films, but this is very good at details. A silent film, like background score was almost zero, so the appeal was stronger in every those thrill scenes like it was real or some kind of a documentary film. A man is living alone in the middle of the forest, grows his own vegetables and always be an extra careful from any outside threat. Then one day a woman and her daughter comes looking for food to trade with their valuables. The deal does not go well between them, but somehow they all manage to gain trust and start to live together. Obviously there's always an issue of food shortage, so how they are going to handle and followed by many other troubles brings an end to the tale. > "The only thing I have caught in there walked on two legs." A minimal cast film with less dialogues, but totally a visual storyteller. I liked the film, but not my favourite, just a fine thriller. The actors are not very popular, but still they are familiar faces and I liked the film because of them. Critically acclaimed and well received by movie goers, but the common people who are vital for the commercial success let it down. It was nominated for the BAFTA awards in the newcomer writer/director category, but did not win. The film's main plot is the food. The human population grown so fast during entering the twenty first century and again fallen rapidly due to the shortage of food which is obviously directly affected by pollution and other issues. So the theme was right, but not everybody gets that message. Because most of who watch it expects entertainment and nothing else. I hope that would not be your excuse to ignore it. The film was shot in Northern Ireland, in a couple of places and its surroundings. It is slow, but steady in what it wanted to tell us. It's not a question about how familiar the theme is, but how different and obviously how different people tackle such situations is what this film focused to tell us pretty dramatic way. When I say the poster, I thought it was like a native American or south American's story. Mainly because of the haircut that gave the impression like that I saw from other films. The synopsis gave a different perspective, so I found it more interesting than before. Then I watched, with a low expectation after knowing it was not received well. But I surprised and come to know this is not a bad film as they have said. In fact a very interesting perspective on how these three people struggle with what they have got in front of them. I am not saying it's a must see, but definitely not the worst, so I suggest you to do small research if you are confused to try this title. If you ask me, I would say just go for it. _7/10_
Renowned "ghost hunter", Carter Simms is paid to conduct a paranormal investigation of a supposedly haunted house. Along with a cameraman, a reporter, and a spiritual advocate, she embarks on a three night journey into terror.
After a comet wipes out most of life on Earth, two Valley Girls find themselves fighting against cannibal zombies and a sinister group of scientists.
SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.
A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended, seizes the party, and one-by-one, kills all but one of the safari members in various creative and horrifying ways. The last surviving member is given "The Lion's Chance" by the tribal leader to be hunted down by a party of tribal warriors.
When an American woman begins a dangerous relationship with an attractive immigrant worker, in order to save her marriage, she finds her true self.
Santuaryo is a movie that centers on the unfolding narration of a young man named Archie (Basti Romero). Archie went looking for a lost treasure when he came into the possession of an ancient map left by an old adventurer. His journey left him battered and cloudy with memories as he was found drifting on the ocean and later rescued by island fishermen. When his long time lover, William (Will Sandejas) arrives at his side, he is forced to painfully recall what happened to him and describes how he crossed paths with a group of boys looking for the same treasure. In the end, Archie realizes what is most valuable in life and it is in his relationship with William that he finds his greatest fortune. Panoramic and provoking. Santuaryo is ultimately a hypothesis about the behavioral mutations of a group of boys when faced with desperate circumstances.
Primo and Secondo, two immigrant brothers, pin their hopes on a banquet honoring Louis Prima to save their struggling restaurant.
Will Lockhart arrives in Coronado, an isolated town in New Mexico, in search of someone who sells rifles to the Apache tribe, finding himself unwillingly drawn into the convoluted life of a local ranching family whose members seem to have a lot to hide.
During a reality show a war starts, but the producer will do anything to hide it from the contestants.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
A slacker and a career-driven woman accidentally conceive a child after a one-night stand. As they try to make the relationship work, they must navigate the challenges of parenthood and their differences in lifestyle and maturity.