Sebastian 2024 - Movies (Oct 2nd)
The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
The Dead Thing 2024 - Movies (Feb 14th)
Paddington in Peru 2024 - Movies (Feb 13th)
My Fault London 2025 - Movies (Feb 13th)
La Dolce Villa 2025 - Movies (Feb 13th)
Christmas Cowboy 2024 - Movies (Feb 13th)
Captain America Brave New World 2025 - Movies (Feb 12th)
Emmanuelle 2024 - Movies (Feb 12th)
The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
Goodbye Hello 2024 - Movies (Feb 12th)
Unnatural 2024 - Movies (Feb 12th)
Nosferatu 2024 - Movies (Feb 11th)
The Influencer 2024 - Movies (Feb 11th)
Kelsey Cook Mark Your Territory 2025 - Movies (Feb 11th)
The Witcher Sirens of the Deep 2025 - Movies (Feb 11th)
Nickel Boys 2024 - Movies (Feb 11th)
Hard Truths 2024 - Movies (Feb 11th)
Bring Them Down 2024 - Movies (Feb 10th)
Becoming Led Zeppelin 2025 - Movies (Feb 10th)
Marked Men Rule + Shaw 2025 - Movies (Feb 10th)
The 11th Hour with Stephanie Ruhle - (Feb 14th)
Watch What Happens Live with Andy Cohen - (Feb 14th)
Australia on Fire- Climate Emergency - (Feb 14th)
Crime Nation - (Feb 14th)
Police 24/7 - (Feb 14th)
The One Show - (Feb 14th)
Tribunal Justice - (Feb 14th)
Teen Mom- The Next Chapter - (Feb 14th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
Raphael: The Lord of the Arts is a documentary about the 15th century Italian Renaissance painter Raphael Sanzio.
Rising sea levels and sinking land threaten to destroy Venice. Leading scientists and engineers battling the forces of nature to try to save this historic city for future generations. Discover the innovative projects and feats of engineering currently underway, including a hi-tech flood barrier, eco-projects to conserve the lagoon, and new efforts to investigate erosion beneath the city.
A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for "the world's most important people,"...children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.
The genesis of To Open Eyes: A Film on Josef Albers developed from Arnold Bittleman's appreciation for Albers while Bittleman was a student at Yale University in the 1960s. Wanting to preserve Albers’s teaching method—learning by doing—Bittleman set out with filmmaker and editor Carl Howard to make a visual record of Albers teaching students how to see and use color as a visual grammar. The film includes archival footage of Josef Albers at home in conversation with Bittleman, as well as footage from Black Mountain College and Yale University.
The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.
Adlon recounts the making of the sculpture, "Kugelkaryatide" the sphere that stood in the center of Tobin Plaza between the two towers of the World Trade Center. The film follows the sculpture from its creation as the largest bronze sculpture of recent times to the aftermath, where it now stands, heavily scarred, in Battery Park.
After the Robb Elementary school shooting in Texas, local Uvalde Leader-News journalists are left to report on the fallout – and on one of their staff members. Reporter Kimberly Rubio rises to national prominence as an advocate for gun reform after her ten-year-old daughter, Lexi, is killed in the shooting. Through the journalists’ reporting, we witness the social fabric of this small Texas town unravel as Kimberly and other victims’ families search for accountability from law enforcement and local leaders. The documentary also shines a light on the critical role of community journalism, at a time when local newspapers are folding rapidly across the country.