Elukka

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

In Borneo, near the tropical forest, Kéria rescues a baby orangutang in the palm oil plantation where her father works. Kéria's cousin Selaï comes to live with them seeking refuge from the conflict between his indigenous tribe and the logging companies. Kéria, Selaï and the little orangutang, now named Oshi, will have to fight against their forest’s destruction.

Marcel the shell is out of sight.

A fur trapper leaves his wife and daughter behind to kill a rogue wolf in the remote wilderness, but they soon become increasingly worried when their peaceful existence is disrupted.

Norman McLaren instructs Grant Munro on the movements he is to make. The film technique for Two Bagatelles is pixillation, where the actor is animated frame by frame, as in the film Neighbours/Voisins.

Germany, 1945. World War II is nearing its climactic end. Five-year-old Sophie and her parents are refugees fleeing from the advancing Red Army. They hide in a hotel, where they encounter Nazi officer Scharf and Hitler Youth member Beckmann. As the Russians come closer, Sophie falls into a lift and is knocked unconscious. Meanwhile, Scharf accidentally kills Sophie’s mother and Wassily, a paratrooper, kills her father. Time passes and teenage Sophie works for Soviet soldiers as a kitchen maid in the hotel. Food sometimes disappears, but Sophie finds the culprit: Beckmann, who has been hiding in a corridor beneath the hotel since the war ended. As an adult, Sophie reluctantly marries Wassily and develops a relationship with Beckmann. Decades go by; the Russians leave and Scharf takes over the hotel. Sophie convinces Beckmann to leave, and the pair head for the North Sea, turning their backs on the hotel and its memories.

Rosa's life, a highly valued professional, is turned upside down when her grandfather Marcelino dies.

This cartoon is directed against the brutality of professional Boxing. In parody form it ridiculed unworthy methods and means used to achieve victory.

Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.

When the clock strikes twelve in a toy store a bunch of paint tubes come to life.

A curious girl investigates the cries she hears coming from a forbidden house across the street.