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Something Like the Truth The Offence is directed by Sidney Lumet and adapted to screenplay by John Hopkins from his own play titled This Story of Yours. It stars Sean Connery, Ian Bannen, Trevor Howard and Vivien Merchant. Cinematography is by Gerry Fisher and music by Harrison Birtwistle. Detective Sergeant Johnson (Connery) has been with the British Police Force for two decades, in that time he has been witness to countless murders, rapes and other serious crimes. The images, the people he has had to deal with, have left a terrible mark on him. When suspected child sex attacker Kenneth Baxter (Bannen) comes up for interrogation by Johnson, his mind starts to fracture and he loses control, unleashing a dark side that comes out both physically and mentally. You wouldn't think it possible for Lumet and Connery to have a hidden gem in their respective career outputs, but The Offence is very much just that. An unnerving skin itcher with an upsetting narrative core, The Offence was a commercial flop. It barely got released across the globe and only found its way onto home format release in the last 10 years. The film only got made after Connery struck a deal with United Artists, he would only return as James Bond for Diamonds Are Forever if they backed him for a couple of projects. One of which was The Offence, so with free licence to play Johnson, and his choice of Lumet in the directing chair, Connery got the film made. Set with a bleak concrete back drop of a "New Town" (cheaply built monstrosities the government knocked up to ease the housing issues), The Offence is a fascinating blend of police procedural and psychological drama. It poses many questions, and thrives on ambiguity to the point repeat viewings are a must, but in the main what shrieks out is the thematic point of one mans harrowing employment taking its toll on he himself. Is it possible that you can only chase and be amongst monsters yourself for so long before you become one of that number? It's invariably hard to recommend the film as high entertainment, a comfy night in by the fire this film is not. But as film art, a searing character study and acting supreme, it scores impressively high whilst tantalisingly tickling the cranium. It's fair to say it's very dialogue heavy, and Lumet as polished a director as he is, keeps it grainy, revelling in the bleakness of the story. Connery has never been better, utterly compelling, a brooding force of nature and as committed to role as he has ever been. Nor, too, arguably, has Bannen, the scenes shared between the two men are lessons in acting as they portray two warped minds bouncing off each with an unsettling force that grips us round the throat and refuses to let go long after the credits have rolled. Howard steps in to add a touch of mature quality, he too bringing the best out of Connery in the scenes they share, while Merchant as Johnson's "on the outside" wife, is raw and heartfelt. You can't pigeon hole The Offence, it's very much one of a kind and it demands to be tracked down by serious film fans. From the low key score and foreboding 70s setting, to the gripper of a denouement, The Offence is an essential piece of British cinema. 9.5/10
On New Years Eve, 1899, baronet's son Edward Courtney becomes engaged to Kate, his mother's maid, much to the scandal of London society. The film then follows their family through four generations, with separations, joys, tragedies, and service in the Boer War, WWI, and WWII.
John, a police officer is framed and drugs are found in his home. He is arrested and brutally interrogated. Using his skills as a ninja, he escapes and uncover a plot to steal his girlfriend's father's life work. He travels to China to face the 5 Element Ninjas and rescue his girlfriend.
Charts the events occurring during a typical 24-hour period on London’s thoroughfare Bond Street. Linking the four stories together is the impending wedding of society girl Hazel Court and Robert Flemyng.
A young woman is assigned to teach school in a secluded valley whose inhabitants appear stern, secretive and anti-pleasure. Following two children who disappear to play in the woods, she finds that this is actually a community of extraterrestrials with mild paranormal powers who are attempting to repress and deny their heritage for fear of arousing prejudice and hatred in their human neighbors. Based on a series of novels by the late Zenna Henderson.
A new teacher, Uma (Anasuya Subasinghe), arrives at a school with her first appointment in a remote village near Dambulla in Sri Lanka. The school has few students, with only the principal (Lucian Bulathsinghala) and Uma as the teacher. With the help of Uma the pupils gradually start to dream of bigger things than they ever imagined. One day Upuli, a blind girl, shares her unseen dream with school friends Sukiri and Ukkun. It gradually becomes the dream throughout the village. The children and Uma encounter perils in their venture to realise this dream. The children of the school start to focus on something they have never seen before. This target gives rise to a small revolution.
In Sarajevo, a teenager seeking affirmation reveals that she had sex for the first time during a game of 'truth or dare' among middle schoolers. Trapped in her own lie, she fabricates a pregnancy and becomes the center of a controversy that spirals out of control.
While doing a series of reports on alternative energy sources, opportunistic reporter Kimberly Wells witnesses an accident at a nuclear power plant. Wells is determined to publicize the incident, but soon finds herself entangled in a sinister conspiracy to keep the full impact of the incident a secret.
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Seven British children bury their mother and hide her death, until their long-lost father returns.
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.
May Munro is a woman obsessed with getting revenge on the people who murdered her parents when she was still a girl. She hires Ray Quick, a retired explosives expert to kill her parent's killers. When Ned Trent, embittered ex-partner of Quick's is assigned to protect one of Quick's potential victims, a deadly game of cat and mouse ensues.