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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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This got a BAFTA nod for Best British Screenplay and you can easily see why. It is a gentle, almost nostalgic, reminder of how different society was in the UK 60 years ago. Barbara Murray ("Ann") is a social worker struggling to look after a collection of kids from a variety of disadvantaged backgrounds. She meets and falls for the kind, gentle, real-life crooner Max Bygraves ("Bill") who has some fairly traumatic baggage of his own, and they both set about trying to bring a little happiness to themselves and to their young charges. This doesn't pull it's punches - not that it is gory, or visually violent - but it does tackle the topics of suicide, child neglect and parental (& official) indifference in quite a forthright (for 1958) fashion. It did remind me a little of my own childhood in Glasgow in the 1970s - kids were packed off "out to play" on spare ground - frequently that bombed out during WWII - on their own for days at a time; surrounded by an environment of cigarettes and alcohol - and although impossible to reconcile with attitudes today; people just didn't know any better and very, very few of us were ever at risk of anything more dangerous than a skint knee. The kids' performances are good as is Mona Washbourne as "Mrs. Daniels".
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends - Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
On New Years Eve, 1899, baronet's son Edward Courtney becomes engaged to Kate, his mother's maid, much to the scandal of London society. The film then follows their family through four generations, with separations, joys, tragedies, and service in the Boer War, WWI, and WWII.
Charts the events occurring during a typical 24-hour period on London’s thoroughfare Bond Street. Linking the four stories together is the impending wedding of society girl Hazel Court and Robert Flemyng.
This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.
There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; Debbie, a single mom, entertains men at the hair salon after hours; her son spends part of the weekend with her ex, a man with a hair-trigger temper. Molly is expecting her first baby and its father acts as if the responsibility is too much for him.
A loan shark gives ex-con Nick a period of 24 hours in order to pay back the money he owes. Up against it, Nick involves his best mate on a multi-part mission in order to raise the cash before it's too late for them both
Dr. Lauren Slaughter, a research fellow at the Arab-Anglo Institute in London is utterly frustrated by her job. To supplement her income, she starts moonlighting at the Jasmine Escort Service, where she has more control over men and money than she does at the office. On one of her 'dates', Lauren meets the politician Lord Bulbeck who is trying to mediate a peace accord between the Arabs and Israelis. Bulbeck falls in love with his escort, and unwittingly, Lauren becomes a pawn in some very dirty politics.
Axl wants to find his long-lost father and rediscover his past. Vera just wants to forget hers as she tries to move on from heartbreak. Their stories come together in the melting-pot of 21st century London.
The big-screen debut from Scottish stage director David Kane, This Year's Love is a comedy about the romantic misadventures of six young people in Camden, North London. The marriage of tattoo artist Danny (Douglas Hanshall) and dressmaker Hannah (Catherine McCormack) gets off to a less-than-inspiring start when Danny finds out Hannah has already been fooling around with a friend's husband, so Danny takes a walk and Hannah splits with a friend to get drunk. At the airport, where the newly-weds were supposed to leave for a honeymoon, Danny meets a cleaning woman named Mary (Kathy Burke) and is immediately infatuated, while Hannah is picked up by a scruffy artist named Cameron (Dougray Scott). Elsewhere, Liam (Ian Hart), a geeky comic-art enthusiast who shares an apartment with Cameron, finds romance with Sophie (Jennifer Ehle), a single mother and full-time neurotic.