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No doubt that actress Melissa McCarthy has become a pop cultural phenomenon within the last few years. She has hit the jackpot in a career gone on a whirlwind upswing. McCarthy has just ended a six-year run from her Emmy-winning turn on the popular CBS sitcom **Mike and Molly**. She was Oscar-nominated for her performance in **Bridesmaids**. She has made a slew of hit-and-miss comedies. Her hosting stints on the legendary **Saturday Night Live** are riotous. McCarthy is part of the much-talked about upcoming female version of the wildly treasured 80's cult classic comedy **Ghostbusters**. Additionally, ardent fanatics of the 2000-2007 WB network TV series **Gilmore Girls** recently rejoiced when McCarthy agreed to join the Netflix revival show that previously endeared her to television audience years before. So yes...to say that Melissa McCarthy is on a continued roll with her ubiquitous presence in TV and movies is an understatement. In McCarthy's latest broad comedy **The Boss** she and her husband Ben Falcone ("Bridesmaids") collaborate as they--along with Steve Mallory--co-wrote the script with Falcone taking over the directorial duties. In fact, both McCarthy and Falcone co-wrote the 2014 vehicle **Tammy** starring McCarthy with Falcone in the director's chair as well. So it is a relief to see how this Hollywood couple bond creatively over their film projects. However, it is not all that encouraging that the Falcones have subsided over generic laughfests. On the surface **The Boss** could be perceived as a wacky female empowerment romp but dig deeper and this lackluster comedy has all the one-note comical deepness of a frizzled Phyllis Diller wig. McCarthy plays the brash and blistery Michelle Darnell, a Martha Stewart-esque CEO financial wizard with a convincing pretty penny that makes up her unbelievable fortune. In fact, Michelle happens to be the 47th wealthiest woman in America. Unfortunately, the law caught up with Michelle so now she is behind bars for inside trading. After months of doing "hard time" (in reality "soft time" for the jailed demanding diva), Michelle is released where she learns of her frozen assets and diminutive ex-lover and rival entrepreneur Renault (Peter Dinklage) who has taken over her multi-million dollar companies. With nowhere to turn for support Michelle decides to intrude on her long-suffering former personal assistant Claire (Kristen Bell). The tolerant Claire is a single mother to 10-year old Rachel (Ella Anderson). As one can imagine the insufferable Michelle is a terror in poor Claire's household with her bossy demeanor. Apparently Claire's nastiness is just not reserved for Claire as she has plenty of scorn to go around for the ones who dare to step in her way. Soon, Michelle discovers a way to get back into the capitalism game and recapture her status as a wealth-driven Wonder Woman. The agenda involves Rachel's Dandelion troop as inspiration for Michelle scheming to recruit the outcast girls from the Dandelions (dubbed "Darnell's Darlings) to sell the exceptional brownies based upon Claire's crafty recipe. Naturally, Michelle is hard on the little gals to push her need for reaching success but in her own caring way she wants to educate the Darlings to become strong, independent future businesswomen armed with potential power and poise. With Michelle's sad-sack backstory as a rejected little girl raised in a Catholic orphanage where many foster homes denied her existence it is clear that the seemingly cold and calculating Michelle does not want her hardship to be repeated in the group of girls she is grooming for the kill of conquering the business world. **The Boss** has some slapstick moments that are passable and the always game McCarthy is willing to do what it takes to sell the zany goods to ensure the hefty chuckles. Playing hard-nose harlots such as the coarse Michelle Darnell is McCarthy's specialty and she is effective when the material supports her tyrannical pushiness. However, **The Boss** feels lackluster because McCarthy's sketchy bits are slight and the movie's basic follow-the-dots lunacy is never on par with McCarthy's bombastic business-minded bulldog. The movie feels cheaply lifted from the hybrid boundaries of 1989's **Troop Beverly Hills** paired with 1988's **Big Business.** Thankfully, **The Boss** is not as tepid or forgettable as McCarthy's other outings such as the aforementioned **Tammy** or **Identity Theft**. On the flip side, this toothless romp will never rub shoulders with the more acceptable McCarthy staples in **Bridesmaids**, **The Heat** or **Spy** either. In short, this particular **Boss** ought to be demoted to the unemployment line. **The Boss** (2016) Universal Pictures 99 mins. Starring: Melissa McCarthy, Kristen Bell, Peter Dinklage, Ella Anderson, Kathy Bates, Tyler Labine Directed by: Ben Falcone MPAA Rating: R Genre: Comedy Critic's rating: ** stars (out of 4 stars) (c) Frank Ochieng
> Use on opportunity, build an empire and be the boss! I always liked Melissa McCarthy films when others said they were very bad, but this time it is totally different. I won't blame her, she always gives her one hundred per cent and so for this film. But it was the terrible script that let her down. Actually, it is a watchable film, because of her, but without her completely unimaginable. The trailer looked much better than the film. It is a comedy, but the laughs are too far, not even a little smile in your face easy to obtain. So it seems there are plenty of negatives about it than the good. I watched it to prove the people are wrong about it, but in the end I was wrong. This is the second time the director and McCarthy together for a film who are the real life couple. But I liked 'Tammy' better, not this one and there will be one more film that I hope they would come up with much more interesting than these two. She is not a solo type star, her films are always the multistarrer. So whenever I hear about her new films, I get curious about her new partner. Kristen Bell was not bad, even Peter Dinklage have given a nice performance. So The casting was good, but they all did not get the good script or the role. I did not enjoy it means not that I won't recommend it. It did not work for me, but it might to you, so I advise be carefully while choosing it. 3/10
When Madea catches teenage Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only relative they have: their aunt April. A heavy-drinking nightclub singer who lives off of her married boyfriend, April wants nothing to do with the kids.
New Yorkers Paul and Meryl Morgan seem to have it all - except that their marriage is crumbling around them. But their romantic woes are small compared to the trouble they find themselves in after witnessing a murder. To protect them from an assassin, federal agents whisk away Paul and Meryl to a small town in Wyoming, where their marriage will crash and burn, or their passion will reignite.
A young groom and his best man lost on the road trip to the wedding, run into a young English doctor. Set against South Africa's breathtaking landscapes, White Wedding is a high-spirited modern-day road comedy about love, commitment, intimacy, friendship, and the unbelievable obstacles that can get in the way of a fairy-tale ending.
After the death of her father, whom she never knew, a young woman finds herself at the head of a large company.
This is the story of 1970s African-American action legend Black Dynamite. The Man killed his brother, pumped heroin into local orphanages, and flooded the ghetto with adulterated malt liquor. Black Dynamite was the one hero willing to fight The Man all the way from the blood-soaked city streets to the hallowed halls of the Honky House.
Residents of a friendly Pennsylvania town foil three brothers' plan to rob a bank on Christmas Eve.
Detectives Jimmy and Paul, despite nine years as partners, can still sometimes seem like polar opposites—especially when Paul's unpredictable antics get them suspended without pay. Already strapped for cash and trying to pay for his daughter's wedding, Jimmy decides to sell a rare baseball card that's worth tens of thousands. Unfortunately, when the collector's shop is robbed and the card vanishes with the crook, Paul and Jimmy end up going rogue, tracking down the card and the drug ring behind its theft, all on their own time and without any backup—except for each other.
When he discovers that an Indian casino is about to be built over the town's historic battlefield, Chase Revere, the self-appointed protector of a small town's rather meager place in American history, joins forces with sexy but dangerous town siren Lucy Shanks to launch an all-out offensive against the project - earning the wrath of the entire town.
A spoof on many horror movie series. Ending his shift at the video rental, Stan's picked up by his BFF and 2 cute girls, all going to a Halloween party. Will they even get there?
Bianca's universe turns upside down when she learns that her high school refers to her as a ‘DUFF' (Designated Ugly Fat Friend). Hoping to erase that label, she enlists the help of a charming jock and her favorite teacher. Together they'll face the school's mean girl and remind everyone that we are all someone's DUFF… and that's totally fine.
All Wally Mellish, an ex-convict in 1960s Australia, wants to do is live a quiet life with his girlfriend Beryl. Unfortunately when two police officers come around to disturb this, a misunderstanding quickly becomes out of control, resulting Wally, Beryl and her child being trapped in their house, surrounded by armed police under the impression that Wally is holding everyone hostage. Events quickly spiral into a media circus as, through the siege, Wally - inadvertently - manages to become a symbol for the anti-war movement.
