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Amusing, thoroughly tacky horror/parody of metal music RELEASED IN 2015 and written & directed by Jason Lei Howden, "Deathgasm” is a horror/comedy about a group of teens in Auckland, New Zealand, who start an extreme metal band named Deathgasm and inadvertently unleash dark forces that possess the nearby populace. “Deathgasm” combines elements of “Evil Dead II” (1987), “Trick or Treat” (1986) and “Braindead” aka “Dead Alive” (1992). Amidst the sometimes profane and tasteless happenings, there are moments of masterful hilarity (e.g. the Peter Criss joke and the black metal photo op in the woods), including black comedy, naturally. Numerous seminal bands are acknowledged throughout, some of which are worthy of the recognition and some not so worthy: Death, Judas Priest, Bathory, Slayer, GWAR, Cannibal Crap, ad nauseam. (Even Def Leppard is noted, which some might find odd, but it reveals the open mindedness of Howden; besides, they were definitely a metal band during their first few albums, albeit not extreme metal). Florida’s Trivium is curiously referenced throughout the flick, which tells me they’re a big hit in New Zealand (‘cause they ain’t all that big in the USA, although they’re certainly a formidable metal act). The band’s name, Deathgasm, is presumably an homage to Wargasm and Death or Death Angel. The main protagonist, Brodie (Milo Cawthorne), looks like a cross between a young Alice Cooper and Keith Deen, the vocalist of Holy Terror (R.I.P.) while his buddy, Zakk (James Blake), resembles a pasty version of Conan the Barbarian. Kimberley Crossman is cute, curvy and formidable as the blonde babe, but the camera rarely zeroes-in on her beauty, unfortunately. There’s the stereotypical myth that Christianity and Christians are opposed to metal, but Black Sabbath started the genre and they had overtly pro-Christian songs, like “After Forever” and “War Pigs.” If you doubt that, just read the lyrics. Or how about the ending of “Hallowed Be Thy Name”? Not to mention that there are scores of kick-axx metal bands that have espoused biblical themes in a positive sense, like Cage, Trouble, Megadeth, W.A.S.P., Saint, Tourniquet, Bride, Saviour Machine, Living Sacrifice, Antestor, Zao, Seventh Angel, Theocracy, Barnabas, Believer, Overkill, Deadly Blessing, Avenged Sevenfold and (of course) Stryper. Notice, by the way, that I didn’t say they were all “Christian bands,” just that they have all blatantly espoused biblical themes on occasion. Needless to say, the idea that metal is intrinsically anti-God is laughable. Get real. Christianity has been part of the genre since day one. The accents are kinda thick so you might want to use the subtitles if you live outside of New Zealand and Australia. THE MOVIE RUNS 1 hour, 26 minutes and was shot entirely in west Auckland. The soundtrack features several New Zealand bands unknown outside of the local scene. GRADE: B
Outcast by his co-workers and living alone, Koistinen is a security guard who works the night shift in a luxury shopping mall in Helsinki. But when icy blonde Mirja approaches him, the lonely Koistinen falls helplessly for her, unaware she is manipulating him for her criminal boyfriend.
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
A group of friends in their early 40s are shocked by the death of one of them. After the funeral, they must fulfil his last wish: a peculiar game in which each of them must write down on a piece of paper something that they would like to do before they die. Each wish will be the starting point of an intense weekend in which they will live fun, unexpected and, sometimes, extreme situations. But each one will also open other doors, releasing fears, instincts, prejudices and secrets, leading them to more complex situations by confronting them with a concept that they carry as a condemnation: "adulthood".
Against the stunning backdrops of the Dominican Republic, "El Trayecto" unfolds as a poignant coming-of-age comedy, showcasing the trans-formative power of friendship against the picturesque landscapes of Samaná. Yasser, Camila, Karina, and Richarson, each with their unique personalities, set out on what initially seems like a straightforward trek between two beaches. As they navigate the visually captivating yet physically demanding terrain, the expedition evolves into a crucible for personal growth and self-discovery. The dichotomy between Yasser's immaturity and Richarson's uptight demeanor provides not only moments of humor but also valuable insights. Camila, the grounded force, and Karina, the free spirit, contribute to the group dynamic, creating a tapestry of diverse personalities.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.
Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al's Toy Barn kidnaps Woody. Andy's toys mount a daring rescue mission, Buzz Lightyear meets his match and Woody has to decide where he and his heart truly belong.
Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.