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Amusing, thoroughly tacky horror/parody of metal music RELEASED IN 2015 and written & directed by Jason Lei Howden, "Deathgasm” is a horror/comedy about a group of teens in Auckland, New Zealand, who start an extreme metal band named Deathgasm and inadvertently unleash dark forces that possess the nearby populace. “Deathgasm” combines elements of “Evil Dead II” (1987), “Trick or Treat” (1986) and “Braindead” aka “Dead Alive” (1992). Amidst the sometimes profane and tasteless happenings, there are moments of masterful hilarity (e.g. the Peter Criss joke and the black metal photo op in the woods), including black comedy, naturally. Numerous seminal bands are acknowledged throughout, some of which are worthy of the recognition and some not so worthy: Death, Judas Priest, Bathory, Slayer, GWAR, Cannibal Crap, ad nauseam. (Even Def Leppard is noted, which some might find odd, but it reveals the open mindedness of Howden; besides, they were definitely a metal band during their first few albums, albeit not extreme metal). Florida’s Trivium is curiously referenced throughout the flick, which tells me they’re a big hit in New Zealand (‘cause they ain’t all that big in the USA, although they’re certainly a formidable metal act). The band’s name, Deathgasm, is presumably an homage to Wargasm and Death or Death Angel. The main protagonist, Brodie (Milo Cawthorne), looks like a cross between a young Alice Cooper and Keith Deen, the vocalist of Holy Terror (R.I.P.) while his buddy, Zakk (James Blake), resembles a pasty version of Conan the Barbarian. Kimberley Crossman is cute, curvy and formidable as the blonde babe, but the camera rarely zeroes-in on her beauty, unfortunately. There’s the stereotypical myth that Christianity and Christians are opposed to metal, but Black Sabbath started the genre and they had overtly pro-Christian songs, like “After Forever” and “War Pigs.” If you doubt that, just read the lyrics. Or how about the ending of “Hallowed Be Thy Name”? Not to mention that there are scores of kick-axx metal bands that have espoused biblical themes in a positive sense, like Cage, Trouble, Megadeth, W.A.S.P., Saint, Tourniquet, Bride, Saviour Machine, Living Sacrifice, Antestor, Zao, Seventh Angel, Theocracy, Barnabas, Believer, Overkill, Deadly Blessing, Avenged Sevenfold and (of course) Stryper. Notice, by the way, that I didn’t say they were all “Christian bands,” just that they have all blatantly espoused biblical themes on occasion. Needless to say, the idea that metal is intrinsically anti-God is laughable. Get real. Christianity has been part of the genre since day one. The accents are kinda thick so you might want to use the subtitles if you live outside of New Zealand and Australia. THE MOVIE RUNS 1 hour, 26 minutes and was shot entirely in west Auckland. The soundtrack features several New Zealand bands unknown outside of the local scene. GRADE: B
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
A teenager lives out the hilarious and often tragic consequences of being lethally attractive, until he meets a girl with a congenital defect.
When a famous Bollywood actor visits a small village for a film's shoot, a poor hairdresser's claim that they were once childhood friends soon makes him the centre of attention.
The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.
Eighteen years after the murder of her parents, Sara Tobias searches for the meaning of the numbers '11:11' that was scratched in blood beside her mother's body. Following three sudden murders, supernatural events are unleashed as she gets closer to the truth.
Twelve friends spend one last great summer together, partying and reminiscing, ultimately realizing they will soon go their separate ways in life
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
As preteen, aspiring filmmaker Tomas trains his new camera’s lens on his own world, shocking family secrets around him come into sharp focus.
Caught in a bizarre and terrifying time warp, college student Tree finds herself repeatedly reliving the day of her murder, ultimately realizing that she must identify the killer and the reason for her death before her chances of survival run out.
During a championship baseball match, the three brothers hear that their grandfather in Japan is in trouble, and head out to help him, conceding the match. When they arrive in Japan, they must use all their powers to defend him against his ancient enemy, who has returned to exact revenge.