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Movie spin-off from the popular TV series with Howerd repeating his role as the hapless slave involved in farcial goings-on. Packed with double entendres, the script gives full rein to Howerd's brand of mockery, with frequent breaking of the fourth wall, made when he was the most popular UK comic. The cheerfully cheap looking set is hardly expanded from the original while the plot is similarly loose. Howerd provokes the ire of Roman officer Percival who pursues him throughout the movie, including when his owners, Horden and Murray, throw a lascivious orgy, filled with naked flesh. Fraser has organised the assassination of fey Emperor Nero (Cargill) which Howerd proceeds to disrupt. It all ends with the volcano killing everybody! The decorous female cast is definitely a plus, with Smith as Erotica a standout in more ways than one. The beauteous Ege has little to do, but looks so good it hardly matters. Made when many British TV shows were turned into features, this is still a fun watch.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her German praetorians and decides Nero has to conquer Britain, she is asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.
Roman teenager, Atti is forced to join the Roman army when one of his clever schemes falls foul of Emperor Nero. He is sent to "miserable, cold, wet Britain" where "the natives are revolting - quite literally". Things go from bad to worse when Atti is captured by Orla, a feisty teenage Celt desperate to prove herself as a warrior.
A time machine sends Daffy Duck and Speedy Gonzales back to Rome in 65 A.D., where they are captured for lion fodder as entertainment for Emperor Nero...
After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.
Risking his life, Luke ventures to Rome to visit Paul - the apostle who's bound in chains and held captive in Nero's darkest and bleakest prison cell. Haunted by the shadows of his past misdeeds, Paul wonders if he's been forgotten as he awaits his grisly execution. Before Paul's death, Luke resolves to write another book that details the birth of what will come to be known as the church.
A Roman soldier becomes torn between his love for a Christian woman and his loyalty to Emperor Nero.
Ancient Rome, during the time of Emperor Nero. Vinicius, a young patrician, falls in love with the beautiful Lygia, the daughter of a Barbarian commander who was killed in battle, and wants her for his concubine. For Lygia, a Christian, being a pagan's concubine is a severe sin and disgrace. However, when Vinicius is wounded, Lygia cares for him, and starts to reciprocate his feelings. Vinicius, in return, becomes interested in Christian learning and asks Apostle Peter to teach him. In the meantime, Emperor Nero accuses Christians of having started a great fire in Rome. He encourages the imprisonment, torture and murder of his Christian subjects.
As the Roman Empire slowly declines, Caesar Nero indulges himself in every known debauchery, including incest with his mother.
The TARDIS crew take up residence near Rome in 64AD, where Ian and Barbara are kidnapped by slave traders, and the Doctor's imitation of Maximus Pettulian sees him taken to the court of Emperor Nero where he inadvertently plays a part in deciding the course of history...
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
