Le court des grands

In the post-apocalyptic world of "Daywalkers," humanity struggles to survive amidst strange creatures known as daywalkers, who masquerade as corpses by day and hunt unsuspecting prey with their white eyes. Our lone protagonist, equipped with lenses to shield his gaze, navigates the perilous daylight to hunt these creatures. When he encounters another survivor seeking aid against a purportedly active daywalker, he cautiously agrees to help. However, as night falls, a chilling revelation unfolds—the supposed survivor is a daywalker in disguise, leading to a fatal confrontation that challenges our protagonist's survival instincts to their limit. "Daywalkers" explores the thin line between trust and deception in a world overrun by darkness.

Returning to her childhood home after many years, Penelope is tormented by a monster that she thought had vanished long ago.

Aimed at the cause of domestic violence victims with traits of physical, emotional, and sexual abuse, this film presents the reality of four women victims of the phenomenon of violence under the manifestations of different types of mistreatment.

A late night radio host goes off on a rant about his disdain for magicians. But when a man claiming to be a magician calls on air, things get increasingly sinister.

After graduating college, seven friends go camping in the desert, only to be terrorized by a vicious monster. Inspired by the popular Creepypasta, "The Rake."

In the 1980s and 1990s a wave of murders bloodied the idyllic coastline of Sydney’s eastern suburbs. The victims: young gay men. Disturbing gang assaults were being carried out on coastal cliffs around Sydney, and mysterious deaths officially recorded as "suicide", "disappearance" and "misadventure". Individual stories are woven together by first person interviews and detailed re-enactments, piecing together the facts of these unsolved cases, decades later.

A prescient portrait of late-1970s Washington, D.C., that chronicles the city's creeping gentrification, the systematic expulsion of poor Black residents, and the community response in the form of the Seaton Street Project, in which tenants banded together to purchase buildings.

The dilapidated former house/headquarters of South Central LA's Black Panthers is at the center of a clash between radical ideals of the past, and 1980s Buppie efforts to use white-owned platforms (banks, media) to uplift the community.

A paleontologist, Dr. J Jones, accidentally unleashes a prehistoric Sharkasaurus, forcing her to team up with her mortal enemy; A creationist Rev. Matthews. Can they overcome their differences and defeat Sharkasaurus?

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.

This film evolves around a mother and a son and their day on May 17, 2013. The story starts in the morning when a woman discovers her son wearing her red dress. The film is dedicated to the theme of homophobia and is closely related to May 17, 2013, the International Day Against Homophobia and Transphobia.