Killing Jimmy Hoffa

A portrait of union leader James R. Hoffa, as seen through the eyes of his friend, Bobby Ciaro. The film follows Hoffa through his countless battles with the RTA and President Roosevelt.

Pennsylvania, 1956. Frank Sheeran, a war veteran of Irish origin who works as a truck driver, accidentally meets mobster Russell Bufalino. Once Frank becomes his trusted man, Bufalino sends him to Chicago with the task of helping Jimmy Hoffa, a powerful union leader related to organized crime, with whom Frank will maintain a close friendship for nearly twenty years.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The life and death of Grigori Efimovich Rasputin.

In this stunning film by Christopher Nupen, Segovia returns to the Granada of his youth, site of his personal and musical formation. The world-famous Alhambra—empty of tourists, between midnight and 4 AM—plays host to a deeply moving selection of Segovia’s signature pieces, many in his own arrangements, all imbued with the meditative, profoundly soulful qualities that lifted him to the pinnacle of artistry and helped him redefine what was considered possible for guitarists.

Collection of songs performed at the "Frank Sinatra Spectacular," a 1965 benefit by the various members of the Rat Pack.

Go deep inside one of the most recognizable gay porn stars of all time. This exciting doc takes you behind-the-scenes to get a glimpse at the real life of François Sagat.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.