Trovadores

Totally Stripped is a newly revised version of the documentary that was originally made to coincide with the release of The Rolling Stones Stripped album released in November 1995. It tells the story of the two studio sessions and three live shows that made up the Stripped project. This followed the conclusion of the mammoth Voodoo Lounge tour and found The Stones reimagining tracks from their back catalogue in pared back versions alongside a couple of carefully chosen covers in the studio and doing smaller scale club gigs to showcase these versions, which was a marked contrast to the huge arenas and stadiums that had hosted the Voodoo Lounge tour. This new version of the documentary includes previously unseen footage and lays bare the inner workings of both The Rolling Stones and of some of their best loved tracks. Revealing, intimate and moving, Totally Stripped is unmissable.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

An examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.

On 21.12.2012 in the Fox Theater in Pomona, California, a Suicide Silence Memorial-concert for Mitch Lucker took place. The motto of the concert was "Ending is the beginning". A range of guest-musicians, friends and fans of the Deathcore-legend Suicide Silence concelebrated with the band in loving memory of the late singer. Mitch Lucker died on 01.11.2012 after a tragic motorbike crash. He left his wife and their daughter Kenadee behind.

From unlikely origins in northern Québec at the height of the Cold War, Voïvod’s post-apocalyptic sci-fi aesthetic, fuelled by a youthful obsession with their instruments, took them from underground success to sharing dates and tours with Iron Maiden, Rush, and Metallica. Despite adversity, and perhaps by cosmic intervention or just serendipity, Voïvod found guitarist Daniel “Chewy” Mongrain; subsequently, the band re-ignited their engines and laid a course back to Morgöth via numerous live shows around the world, a comeback album in Target Earth, singles, EPs, and finally, the late-career triumph, The Wake. In 2019, Voïvod were recognized by the Canadian Academy of Recording Arts and Sciences with a Juno Award for best hard rock/metal album of the year for The Wake.

This is the first documentary about the singer Marijonas Mikutavičius. Marijonas Mikutavičius, who is celebrating his fiftieth birthday this year, has been on stage since he was 18 and his song "Trys milijonai (Three millions)" has been called Lithuania's second national anthem. In the film, director Eimantas Belickas allows the viewer to be with Marijonas in his intimate surroundings, without the mask. As one of the country's most popular singers, Marijonas is a man, a father, a Lithuanian citizen, just like many of us. The viewer can see this clearly in the film, but at the same time it becomes clear that creativity makes the singer a unique personality.

We explore the life of one of the 20th century's most charismatic performers. Bob Marley Bob Marley's renown now transcends the role of reggae luminary: he is regarded as a cultural icon who implored his people to know their history.

10/24/1973 Capitol Records Rehearsal Session, Capitol Record Tower, Los Angeles, CA SET: You can't blame the Youth. Slave Driver, Burnin' and Lootin', Rastaman Chant, Duppy Conqueror, Midnight Raver, Put it on, Stop that Train, Kinky Reggae, Stir it up, No more trouble, Get up stand up

Mixing archival footage and interviews with the band and its crew, this film celebrates the 40-year history of legendary rockers Paralamas do Sucesso.

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.