Les jours heureux

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

During the Occupation, René Carmille, a graduate of the Ecole Polytechnique, founded what was to become INSEE and created the future national insurance number. This military officer, who became a manager in the Vichy administration, developed his modernist vision of mechanography, the forerunner of computer science, and increased the number of statistical surveys on the French population, at the risk of seeing them serve the antisemitic policy led by Pétain. But Carmille was pursuing a secret goal...

Welcome to a never-before-seen tour of the creations by resistance artists around the world. From the streets of Moscow to the shores of Los Angeles and featuring interviews with Tom Morello, Dave Navarro, Moby, Shepard Fairey, and more, this powerful film brings a message of hope and change through radical resistance and righteous social uprising.

“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

How was the Second World War experienced in Rouveen, Overijssel? This Orthodox Christian village near Staphorst was self-sufficient during the war. And largely isolated from the outside world. The last eyewitnesses of the war, the children of that time, are now all very old. In the Duutsers, residents of the Overijssel village of Rouveen talk movingly openly about their war memories to fellow villager and filmmaker Geertjan Lassche. Their stories are interspersed with historical video fragments and photos from the past. This is how an honest child's view of growing up in a rural village unfolds. How did the war come to the village? Who is that stranger in the village in front of them, that German? And in what those of other strangers? When does unrest arise, and unrest in fear of hatred? What about the Jewish labor camps in the village and how did they view the Canadian liberators?

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

"Nû Jîn", New Life, with the slogan ' Woman is life. Life is resistance and resistance is Kobanê', depicts the daily life of women guerillas, Elif Kobanê (18), Vîyan Peyman and Arjîn, joining in the Women's Protection Units (YPJ) in their battle against ISIS. The documentary relates the ISIS assault of 15 September 2014 and the five-month resistance by the YPJ and People's Defense Units (YPG) through the lens of three women fighter