Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
Nature - (Feb 20th)
Co-writers Ian McKellen and Richard Loncraine (who also directs) set their Richard III in 1930s Britain, and make the infamous hunchback a fascist warmonger plotting to usurp the throne. Today's English monarchy is, at best, nominal, but even way back in the 1930s there wasn't much to be gained by usurping it. Then again, the film takes place in an alternate reality where the War of the Roses occurs 450 years after the true historical conflict did. I don’t mind so much that royalty has endured those four centuries and a half; what does bother me is that language has not evolved in the interim at the same rate as, say, warfare. Why on Earth would Richard (McKellen), who is neither dumb nor crazy, use the expression “my kingdom for a horse” when he could be asking for a tank instead? This line is only in the movie because it’s in the play – but then, a great many things that are in the play aren’t in the film, and viceversa, so why keep this particular bit? I mean, it couldn’t be because the audience is expecting it, even though it makes zero sense given the circumstances, could it? Did they think diehard Shakespeare fans would riot otherwise? Well, if there were such a thing as hardcore Shake-heads, I assure you they would have rioted long before this point. Similarly outdated is a scene in which several characters who have been at each other’s throats are compelled to swear mutual oaths of loyalty. As Al Pacino’s superb documentary Looking for Richard rightly points out, at the time that the original play is set this would be serious business, because only people who want to go to hell would swear an oath and not keep it. Ditto the scene where Richard blames his deformity on Queen Elizabeth's witchcraft; this is an accusation that would have been given credence in the 1470s, but not so much in the 1930s. All things considered, it’s somewhat ironic that McKellen had a hand in the script, because his performance is worthy of much better material. His body language, in particular, is priceless – this Richard looks like a super-intelligent ape masquerading as a British Army field marshal. And when he breaks the fourth wall – another device that works better on a theater stage –, it feels as if Richard is letting the viewers in on that the entire movie is a sick joke he's playing on the other characters. If only.
Lise (16 years old) is accused of murdering her best friend. As the trial starts, her parents stand right by her side. But once her secret life is revealed in court, the truth becomes indistinguishable.
Eight years after the disappearance of Cassandra, some disturbing incidents seem to indicate that she's still alive. Police, parents and Cassandra herself, will try to unravel the mystery of her disappearance.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Matt Lee Whitlock, respected chief of police in small Banyan Key, Florida, must solve a vicious double homicide before he himself falls under suspicion. Matt Lee has to stay a few steps ahead of his own police force and everyone he's trusted in order to find out the truth.
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
When an elderly millionaire is found dead with cocaine in his system, his will leaves $8 million to Rebecca Carlson, who was having an affair with him. District attorney Robert Garrett decides to prosecute Rebecca, arguing that she deliberately engaged in wild sex with the old man to overexcite him and lead to his premature death. Defense attorney Frank Dulaney defends Rebecca in court while getting sucked into a dangerous affair with her.
A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.
Lord Windermere appears to all - including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons with an adventuress who is working her way through London's high society, Mrs. Erlynne. Worse, Windermere gives her big sums of money. To crown it all he asks his wife to invite the detestable woman to her own birthday party. Upset and outraged, the puritan Lady Windermere decides to leave her husband and goes to Lord Robert Darlington, who has been courting her for some time. Unfortunately she leaves her fan - the one Robert offered her for her birthday - in Robert's house...
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.