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Funny thing how he always strikes in the rain. Follow Me Quietly is directed by Richard Fleischer (with uncredited help from Anthony Mann) and adapted to screenplay by Lillie Hayward from a story written by Mann and Francis Rosenwald. It stars William Lundigan, Dorothy Patrick, Jeff Corey, Nestor Paiva and Paul Guilfoyle. Music is by Leonid Raab and cinematography by Robert De Grasse. A serial killer known as "The Judge" is stalking the city, his modus operandi is to strike when it rains and to kill by strangulation. The police have loads of little clues but nothing solid to go on. The strain is starting to weigh heavy on Lt. Harry Grant (Lundigan), but he comes up with a genius idea to help catch the killer - a mannequin! Not widely known, but once released to MOD home format it got more noticed and has been keenly sought out by fans of the great Anthony Mann. It has proved a little divisive so this fawning review should be taken with a little context. Clocking in at just under an hour in length, Fleischer's film is by definition a compact RKO "B" picture, but the quality of story, and the little slices of noir craft, ensure it's got plenty of strengths going for it. In essence it's an early police procedural dealing with the hunt for a serial killer. There's a babe in the mix, Dorothy Patrick as an intrepid reporter who announcers herself to the film wearing a see through mackintosh, which of course is splendid. She teams up with Grant, not as a fatale, but as a sort of wry cohort, suggestion is evident, sexual tension even, but nothing is shoe-horned in to the pic. The cops are all stoic types, splendidly attired for period delights, but it's with Lundigan's head of investigations where the film gets its pulse beat. He gets in deep with the psychological aspects of the case, thinking like the killer, talking to the faceless mannequin that has been constructed out of clues left by the killer, the mirror images of the killer and mannequin are not exactly a million miles away from Lundigan himself. Cheeky is that. Mann's stamp is all over the film, but Fleischer's work is evident for sure, an economical purist meets the crafty auteur, a fine match. Robert De Grasse (The Body Snatcher/Born to Kill) is a key component, operating with angles and shades when required, there's a distinct uneasy feel to proceedings. A few scenes grab the attention with full effect, akin to a spider inviting a fly to dinner, which all builds to a head, culminating in a blunderbuss finale at an oil refinery - cum - power plant. Only where White Heat (also 1949) went nighttime for its coup de grace, Follow Me Quietly did it in daylight. Cheeky is that. It's not perfect. Some logic holes are there as regards the water effect with the killer, which also leads us to lament a lack of reasoning and understanding with the perpetrator. There's also a couple of instances where the mannequin is played in a rear shot by a real actor, why? I have no idea. While the best scene in the film, as Lundigan chats to the dummy in a darkened room - and the rain falls hard on the windows - brings about a reveal that makes no sense what so ever. Especially once "The Judge" is revealed. However, this is easy to recommend to noir heads and fans of police procedurals, and I loved it. 8/10
This is a well photographed crime drama with an embarrassingly bad plot and poorly written dialogue, a prime example of RKO's impending doom… The 60 minute run time comes as a huge blessing.
The dream is unusually vivid: Bank employee Vince Grayson finds himself murdering a man in a sinister octagonal-shaped room lined with mirrors while a mysterious woman breaks into a safe. It is so vivid that Vince suspects it may have really happened. To get the dream off his mind, he goes on a picnic with some relatives. When a thunderstorm forces his party into a nearby mansion, Vince discovers that the bizarre room does exist, and it means nothing but trouble.
Cleve Marshall, an assistant district attorney, falls for Thelma Jordon, a mysterious woman with a troubled past. When Thelma becomes a suspect in her aunt's murder, Cleve tries to clear her name.
Clarinetist Stan has a nightmare about killing a man in a mirrored room. But when he wakes up and finds blood marks on himself and a key from the dream, he suspects that it may have truly happened.
A beautiful but unscrupulous female performer manipulates all the men in her life in order to achieve her aims.
Two friends land in hot water when they begin dating twins and one of the women ends up dead.
Chyna Shepherd is a twenty-six-year-old psychology student who survived an extremely troubled past. While visiting Laura Templeton's house, a farm in the Napa Valley. A serial killer named Edgler Foreman Vess breaks into the house, killing Laura and her parents. Chyna survives, but she learns of Vess's captive: a girl, just as innocent as Chyna, trapped in Vess's home far from the Napa Valley.
A sheltered heiress is abducted on her wedding night by a trio of cheap hoods.
A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances is sweeping Tokyo.
Angelenos terrorized by a serial killer staging victims. LAPD detectives uncover mystical clues pointing towards an unexpected perpetrator amid scarce evidence.
When composer George Harvey Bone wakes with no memory of the previous night and a bloody knife in his pocket, he worries that he has committed a crime. On the advice of Dr. Middleton, Bone agrees to relax, going to a music performance by singer Netta Longdon. Riveted by Netta, Bone agrees to write songs for her rather than his own concerto. However, Bone soon grows jealous of Netta and worries about controlling himself during his spells.