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> A close look at generation and professional gap. Have I really watched a South American movie! This is not a doubt over the culture or the language the movie was rendered, but the basic plot was universally appealing. Wherever from you are, this story will look very familiar, you know the master-servant theme with jealous, dominance and other differences between them which intrigued after some unexpected incident. Don't assume it is a revenge flick, but a closer look at the daily life of a servant. It is a beautiful drama filled with some occasional dark humours. Frankly, I did not expect it to be this good after I heard it failed to make into the Academy Awards. Yep, this was Brasil's submission for the 2016's Oscars. A story of a live-in housemaid called Val. She opted this life to be apart from her daughter Jessica only to provide a better life for her. But things change, once Jessica decides to come and stay with her mother to apply for a college in Sao Paulo. That brings a complete chaos in the household due to the generation and the professional gap. It was a casual opening, like Val was doing her daily routine. This was a very calm part, the story that introduced everything without complicating, especially keeping in mind the second half narration. The movie also digs every detail very closely, like how a maid behaves when her owner is not around, individual relationship with everyone in the house including the other maids and their personal desires. > "She looks at everything. Looks like the president." Believe me, if you ever had one, probably you begin to think them now by remembering any strange incidents from the past like what might be the truth. It is not like accusing them for something, but you know, sometimes we forget we're the same other than a thin line between us called the social status. That's where this film hits you hard and makes you feel regret if you have ever done anything wrong without knowing. It was not like any other similar movies I have seen. There was only a small deviation, that's what it makes a special. Also, it was not completely a realistic boring drama if you're wondering about the pace. It was a steady tempo, but had the sufficient entertaining content, often makes us to guess the next scene and besides it had a tiny twist at the end. It was not a strong ending as one could have wanted, but it's the best one after the story took a turn in the final act. I don't know the cast or the crew, but the direction was top notch alongside the cast performances. Thankfully, it was not another sentimental drama with a struggling servant or the questionable relationship between a mother and her daughter. Very much within our perception like you know all this, but seeing it for the first time. The balance between everything was the best of it. Almost 80% of the movie were shot in a single location/house and a few outside clips as the story demanded. The Oscars might have rejected it, because there's only five slot and they found better five to fill the spot, but that should not be the reason you to skip this heartwarming movie from the country that hosting the next Olympic games. I feel this film is this year's 'Ida', unlike a nun's self-discovery before taking oath to the god, here a maid realises her mistakes and not being a good mother to her daughter which leads her to fix it by not repeating it. A movie that should be watched with the family, inviting housekeeper for the watch might help bond well. So definitely recommended, a highly recommended movie for the weekend gathering. 8/10
During the 1976 Soweto uprising, a white school teacher's life and values are threatened when he asks questions about the death of a young black boy who died in police custody.
Father Michael McKinnon goes from the UK to Boston circa 1935. For unknown reasons, he avoids at all costs the most prominent parishioners, Arthur and Eleanor Barret. Meanwhile Eleanor and Arthur desperately want to have a child, but Arthur is sterile, so they hire Harvard law student Roger Martin to impregnate Eleanor, but unfortunately Roger falls in love with her.
Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.
A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.
A complex and fascinating experimental exploration of time and identity, Anti-Clock is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond's paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.
Anne B. Real is the coming of age story of a young female rapper, who finds her inspiration by reading the Diary of Anne Frank.
In a contemporary world in one of the European cities, three friends, as they face a military conflict in their country, must modify their plans for the future.
A man recalls his relationships with the women he loved as he tries to help another man try to understand them as well.
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
A brutal assault changes Marieke's life. She leaves her familiar city rhythms for the solitude of a isolated house in the countryside. Her irrational fears on the frozen farm are a constant struggle. As spring's orchestra begins, her curiosity for new things that cover the cold rot of winter pull her out of the suffocating interior of her mind. Slowly she accepts the help of John, her neighbour.
Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.