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The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
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Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
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**Veni, vidi, vici!** I anticipated another inspiring biopic about a man who built an empire. That's partially true, because this was inspired by the right kind of wrong thing. I mean it was not actually about the McDonalds' story, the McDonald brothers, but the fast food chain McDonald, how the franchise got rapidly spread across the globe and the person behind it. With the film having both good and bad side, it stayed mostly neutral. But due to the main character, you would see too much lean on what seems the reason behind the McDonald's today's popularity. So it's like another typical American founders' story like Apple, Facebook. I mean not the one who found the company with all the hard works, but the one who dived in and took all the credit. Ray Kroc was a traveling salesman and he's not doing any good. But one day he meets the brothers who had started a modernised kitchen and its fast food service. He shows lots of interest in it and so he joins hands with them. With his new ideas, how he makes a fortune out of it and the future of the company, all revealed in the later part. An enjoyable film. Particularly for Michael Keaton. Well directed film as well. Film wise it was a good one, but the story wise not morally right. It was about the flaws in our society, our system. Some men can do anything like pulling others leg to climb the success ladder. It's not them to blame completely, because they had struggled enough to understand their future path. So definitely for some people, this film would inspire. If you are a regular McDonalds' customer, you should watch it. Otherwise, just to learn the truth, it is worth a watch. _7/10_
**A decent film, although the story told is substantially stilted and made more tense than it actually was.** We all know that the business world is not for boy scouts. As the film's protagonist himself assumes, you have to be prepared for the toughness of competitors and moves that are often disloyal. However, this is precisely why great businessmen are usually people worthy of our disdain: they associate coldness and calculation with intelligence and the cult of the ego, and not infrequently they see other people as numbers or as means of business. McDonald's is undoubtedly a huge, very powerful multinational, and the film reveals how the company was born, at the hands of Ray Kroc, who takes over the company, taking it from the control of the founders – the McDonald Brothers – and transforming it into something that is very different from what they dreamed of, although they were satisfied with the money they received for it afterwards, and that the relations between the three, in real life, were not as tough as the movie makes us think. The screenplay, cleverly written but very bitter and unpleasant, inflated the situation and made it more tense. Like _Social Network_, the film shows us the controversial origins of one of America's most flourishing companies… and makes us dislike whoever built it. And interestingly, contrary to what I initially thought, the McDonald's Corporation seems to have kept a certain distance from this film… why is it? Michael Keaton did a very good job with the main character and knew how to embody the controversial figure of Kroc well, both in voice and in ideas and mannerisms. The actor deserves, in fact, a praise for the way he gave himself to the work. Also, John Lynch and Nick Offerman are in excellent shape and give us very convincing performances, turning the two founding brothers of the company into a harmonious duo in which one thinks and plans, and the other carries out and executes everything on the ground. Unfortunately, the rest of the cast just doesn't do anything of value and sticks to the most basic. Technically, the film is very low-key, although I have to commend the effort made to recreate and bring back to life some of the company's early restaurants, most notably the one in San Bernardino. The effort to be faithful to the original design was very pleasant, as was the use of very appropriate sets, cars, filming locations and costumes, which take us back to the 50s. The cinematography does a discreet but effective job, and the editing is good, not allowing the film to waste time on unnecessary things or lose its rhythm.
**Overall : A brilliant telling of a bleak story that left a disappointing flavor in my soul.** I remember the plaque in our McDonalds growing up about its founder, Ray Kroc, but this movie tells a much different story. Suddenly, I am questioning whether or not I should let my two-year-old eat McDonald's anymore! Michael Keaton's relentless portrayal of the opportunistic and duplicitous Ray Kroc is so spectacular that I questioned whether I even liked Keaton. Yet, he is one of my favorite actors! That is just how disheartening the true story of McDonald's' meteoric expansion is. The Founder does an excellent job telling a dispiriting story and does such a thorough job that it leaves a bad taste in your mouth at the end (pun intended 😉).
Based on real life events, the film revolves around the heroic efforts of a team of firefighters as they attempt to deal with a fire that breaks out at an oil refinery in Dalian.
Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.
The film portrays MacArthur's life from 1942, before the Battle of Bataan, to 1952, the time after he had been removed from his Korean War command by President Truman for insubordination, and is recounted in flashback as he visits West Point.
Fledgling comic Benjy Stone can't believe his luck when his childhood hero, the swashbuckling matinee idol Alan Swann, gets booked to appear on the variety show he writes for. But when Swann arrives, he fails to live up to his silver screen image. Instead, he's a drunken womanizer who suffers from stage fright. Benjy is assigned to look after him before the show, and it's all he can do to keep his former idol from going completely off the rails.
Tells the story of Andrew, a 13-year-old whose mother dies and leaves him with an indifferent step-father. Andrew, receiving only hostility from his classmates and step-father, begins to steal. An understanding counselor at school helps Andrew reform and readjust.
Sarı Zeybek is a 1953 biopic film written and directed by Münir Hayri Egeli. The film specifically showed the last 300 days of Mustafa Kemal's life and portrayed his ordinary human characteristics rather than his military prowess or political talents.
Irena Sendler is a Catholic social worker who has sympathized with the Jews since her childhood, when her physician father died of typhus contracted while treating poor Jewish patients. When she initially proposes saving Jewish children from the Warsaw Ghetto, her idea is met with skepticism by fellow workers, her parish priest, and even her own mother Janina.
At the turn of the 20th century, young Asa Yoelson decides to go against the wishes of his cantor father and pursue a career in show business. Gradually working his way up through the vaudeville ranks, Asa — now calling himself Al Jolson — joins a blackface minstrel troupe and soon builds a reputation as a consummate performer. But as his career grows in size, so does his ego, resulting in battles in business as well as in his personal life.